BOOK FORMAT Paperback, 8 x 10 in. / 480 pgs / 225 color / 70 bw.
PUBLISHING STATUS Pub Date 5/31/2013 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2013 p. 39
PRODUCT DETAILS ISBN 9783037643105TRADE List Price: $65.00 CDN $87.00
AVAILABILITY In stock
TERRITORY NA LA ASIA AU/NZ AFR ME
EXHIBITION SCHEDULE
Leipzig, Germany Museum der Bildenden Künste, 09/30/12-01/13/13
Bern, Switzerland Kunstmuseum, 03/15/13-07/21/13
Hannes Schmid is the photographer of the famous Marlboro cowboy icon, an image that reached mass audiences and later percolated up to the contemporary art scene thanks to its adoption by Richard Prince
Edited by Ildegarda Scheidegger, Matthias Frehner. Text by Elisabeth Bronfen, Gail Buckland, Rainer Egloff, Matthias Frehner, Kornelia Imesch, Christiane Kuhlmann, Ildegarda Scheidegger.
Best known as the photographer for the 1990s “Marlboro Man” (as appropriated by Richard Prince), Hannes Schmid (born 1946) has been active for decades in various genres of photography--principally fashion, rock and documentary. Early on in his career, Schmid blurred the boundaries between commissioned projects and personal work, and by the 1970s, was focused simultaneously on documenting cannibal folk culture in Indonesia and making classic portraits of bands such as Kraftwerk, Queen, Blondie, Depeche Mode and AC/DC. The latter body of work, done between 1978 and 1984, effectively tells the story of rock music between these years; Schmid spent the best part of a decade on tour with over 250 bands. Soon after, he entered the worlds of fashion and advertising photography, producing his famous icon--the Marlboro cowboy--in 1993, a figure that reached mass audiences and later percolated up to the contemporary art scene thanks to its adoption by Richard Prince, in the artist’s later series of Marlboro appropriations. In addition to his photographic projects, Schmid’s work also comprises films and installation projects. Real Stories is published to coincide with a retrospective at Kunstmuseum Bern, and includes a large selection of Schmid’s photographic works--400 of which are reproduced in color--along with essays that contextualize his work and address his position as an artist working inside photography.
Featured image, "Kraftwerk," from Rockstars (1981/2012), is reproduced from Hannes Schmid: Real Stories.
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This week, JRP|Ringier released Hannes Schmid: Real Stories, the exhibition catalog to the Swiss artist and photographer's current retrospective at Kunstmuseum Bern. Over the course of 40 years, Schmid has documented cannibal folk culture in Indonesia, toured with more than 250 bands, including Kraftwerk, Queen, Blondie, Depeche Mode and AC/DC, and produced iconic fashion and advertising photographs for brands like Marlboro—famously appropriated by the artist Richard Prince. Featured image, "Cowboy #205" (2001/2012), is reproduced from Hannes Schmid: Real Stories. continue to blog
FORMAT: Pbk, 8 x 10 in. / 480 pgs / 225 color / 70 b&w. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $87 ISBN: 9783037643105 PUBLISHER: JRP|Ringier AVAILABLE: 5/31/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by JRP|Ringier. Edited by Ildegarda Scheidegger, Matthias Frehner. Text by Elisabeth Bronfen, Gail Buckland, Rainer Egloff, Matthias Frehner, Kornelia Imesch, Christiane Kuhlmann, Ildegarda Scheidegger.
Best known as the photographer for the 1990s “Marlboro Man” (as appropriated by Richard Prince), Hannes Schmid (born 1946) has been active for decades in various genres of photography--principally fashion, rock and documentary. Early on in his career, Schmid blurred the boundaries between commissioned projects and personal work, and by the 1970s, was focused simultaneously on documenting cannibal folk culture in Indonesia and making classic portraits of bands such as Kraftwerk, Queen, Blondie, Depeche Mode and AC/DC. The latter body of work, done between 1978 and 1984, effectively tells the story of rock music between these years; Schmid spent the best part of a decade on tour with over 250 bands. Soon after, he entered the worlds of fashion and advertising photography, producing his famous icon--the Marlboro cowboy--in 1993, a figure that reached mass audiences and later percolated up to the contemporary art scene thanks to its adoption by Richard Prince, in the artist’s later series of Marlboro appropriations. In addition to his photographic projects, Schmid’s work also comprises films and installation projects. Real Stories is published to coincide with a retrospective at Kunstmuseum Bern, and includes a large selection of Schmid’s photographic works--400 of which are reproduced in color--along with essays that contextualize his work and address his position as an artist working inside photography.
