Edited by Raphael Gygax, Heike Munder. Text by Raphael Gygax, Bruce Hainley, Glenn R. Phillips.
Since the mid-1990s, Alex Bag (born 1969) has been among the leading protagonists of video performance, regarded as a vital precursor by a generation of younger artists such as Cory Arcangel or Shana Moulton. Bag became known for her video performances, in which she humorously critiqued TV culture and the clichés of the contemporary art world. An extraordinarily flexible actress, Bag often appeared herself, taking on a multitude of roles. In the video that gained her initial recognition, “Untitled Fall `95” (1995), she played an art student who, as though in a video diary, depicted her desires and hopes as an artist and in her everyday schooling. In other videos she has frequently investigated the advertising structures of network TV (as in “Coven Services,” 2004), or the most diverse TV genres and formats (“Fancy Pantz,” 1997, “Gladia Daters,” 2005). This first Alex Bag monograph includes a complete videography with transcriptions, scripts and stills.
Featured image, 6th Semester Art School Girl, 1995, is reproduced from Alex Bag.
PRAISE AND REVIEWS
Bookforum
Johanna Fateman
In 1995, as Matthew Barney became famous for his opulent, surrealist film epic, video artist Alex Bag rose to stardom as a kind of anti-Cremaster, creating no-budget video art with little more than cheap wigs, bedsheet backdrops, appropriated television clips, and stuffed animals. The book contains stills, photographs, reproductions of her notebook pages, essays by critics, and scripts for the videos. Reading these screenplays shifts the focus from the brilliance of Bag's performances and her purposefully makeshift art direction to the strength of her writing. Her pitch-perfect use of vernacular speech and mastery of of plot and character become clearer, underscoring what's long been known - she is a comic genuis, and one of the world's coolest harridans.
"Two thematic fields that intersect at various points are central to the artist's interests: on the one hand, Bag examines interactions between high and popular culture; on the other, she analyzes structural characteristics and economic laws governing the art world. Several works explore how authorities or authoritarian structures shape artistic careers…The formal framework for Bag's videos derives from a variety of formats from television culture--from documentaries, dating and talk shows across reality television to commercial breaks: everything is product, everything is market, everything lends itself to appropriation by the artist. Bag turns to the flood of images that fill the televised world and dissects them using various strategies of defamiliarization."
Raphael Gygax, excerpted from Pandora's Bag--On the Work of Alex Bag in Alex Bag.
FORMAT: Hbk, 6.75 x 9.25 in. / 230 pgs / 200 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $72.5 ISBN: 9783037642207 PUBLISHER: JRP|Ringier AVAILABLE: 9/30/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD Excl FR DE AU CH
Published by JRP|Ringier. Edited by Raphael Gygax, Heike Munder. Text by Raphael Gygax, Bruce Hainley, Glenn R. Phillips.
Since the mid-1990s, Alex Bag (born 1969) has been among the leading protagonists of video performance, regarded as a vital precursor by a generation of younger artists such as Cory Arcangel or Shana Moulton. Bag became known for her video performances, in which she humorously critiqued TV culture and the clichés of the contemporary art world. An extraordinarily flexible actress, Bag often appeared herself, taking on a multitude of roles. In the video that gained her initial recognition, “Untitled Fall `95” (1995), she played an art student who, as though in a video diary, depicted her desires and hopes as an artist and in her everyday schooling. In other videos she has frequently investigated the advertising structures of network TV (as in “Coven Services,” 2004), or the most diverse TV genres and formats (“Fancy Pantz,” 1997, “Gladia Daters,” 2005). This first Alex Bag monograph includes a complete videography with transcriptions, scripts and stills.
