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Swiss Institute/Agnès b.BOOK FORMAT
Clth, 8.5 x 11.5 in. / 124 pgs / 29 color / 34 bw. PUBLISHING STATUS
Pub Date 3/31/2012
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Catalog: FALL 2011 p. 82 PRODUCT DETAILS
ISBN 9781884692093 TRADE
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| | | SWISS INSTITUTE/AGNèS B.Rita Ackermann & Harmony Korine: ShadowfuxText by Richard Flood, Antoine Catala, Gianni Jetzer, Piper Marshall, Cameron Shaw.
Separately renowned in their respective mediums of film and painting, Harmony Korine and Rita Ackermann meet in their mutual affection for unorthodox, mischievous beauty, and more specifically in the creation of psychologically jarring figures amplified through fragmented narratives. Shadowfux documents the artists' first collaboration. Taking Korine's recent film Trash Humpers (2009) as its point of departure, it features large-scale works in which Ackermann and Korine have collaged, painted and drawn over stills of the film's beguiling young bodies with old faces. Generated through a call-and-response method, Shadowfux illustrates the importance of cutting to both artists' works. Additionally, it presents short texts by Korine, as well as previously unpublished deleted scenes from Trash Humpers. Accompanying the artists' works are short illustrative texts by exhibition curator Gianni Jetzer, curators Richard Flood and Piper Marshall, and critics Antoine Catala and Cameron Shaw.
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FORMAT: Clth, 8.5 x 11.5 in. / 124 pgs / 29 color / 34 b&w.
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ISBN: 9781884692093
PUBLISHER: Swiss Institute/Agnès b.
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| Rita Ackermann & Harmony Korine: Shadowfux Published by Swiss Institute/Agnès b..
Text by Richard Flood, Antoine Catala, Gianni Jetzer, Piper Marshall, Cameron Shaw. | Separately renowned in their respective mediums of film and painting, Harmony Korine and Rita Ackermann meet in their mutual affection for unorthodox, mischievous beauty, and more specifically in the creation of psychologically jarring figures amplified through fragmented narratives. Shadowfux documents the artists' first collaboration. Taking Korine's recent film Trash Humpers (2009) as its point of departure, it features large-scale works in which Ackermann and Korine have collaged, painted and drawn over stills of the film's beguiling young bodies with old faces. Generated through a call-and-response method, Shadowfux illustrates the importance of cutting to both artists' works. Additionally, it presents short texts by Korine, as well as previously unpublished deleted scenes from Trash Humpers. Accompanying the artists' works are short illustrative texts by exhibition curator Gianni Jetzer, curators Richard Flood and Piper Marshall, and critics Antoine Catala and Cameron Shaw.
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