Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Text by Hans Ulrich Obrist, Mónica de la Torre, Kyung An.
At once emphatically abstract and culturally specific, the work of Seung-taek Lee (born 1932) draws on the subtle beauty of Korean aesthetic traditions and folk art, also reflecting contemporaneous developments in earth art, Mono-ha and postminimalism—while maintaining resolute independence from its peer groups.
Lee's oeuvre spans painting, drawing, sculpture, installation and performance, often within the same piece. Notions of negation—which he alternately refers to as “dematerialization,” “anti-concept,” and “non-sculpture”—structure his approach, by which he transforms ordinary objects, imbuing them with multiple meanings and affects. Embracing invisible forces and unorthodox materials such as tree branches, wire, stones, human hair, fabric and rope, his art elevates the mundane to the level of myth. This is the first English-language overview of his work.
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FORMAT: Hbk, 9.25 x 12 in. / 112 pgs / 59 color / 6 duotone. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $67.5 GBP £45.00 ISBN: 9781944379148 PUBLISHER: Lévy Gorvy AVAILABLE: 5/22/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by Lévy Gorvy. Text by Hans Ulrich Obrist, Mónica de la Torre, Kyung An.
At once emphatically abstract and culturally specific, the work of Seung-taek Lee (born 1932) draws on the subtle beauty of Korean aesthetic traditions and folk art, also reflecting contemporaneous developments in earth art, Mono-ha and postminimalism—while maintaining resolute independence from its peer groups.
Lee's oeuvre spans painting, drawing, sculpture, installation and performance, often within the same piece. Notions of negation—which he alternately refers to as “dematerialization,” “anti-concept,” and “non-sculpture”—structure his approach, by which he transforms ordinary objects, imbuing them with multiple meanings and affects. Embracing invisible forces and unorthodox materials such as tree branches, wire, stones, human hair, fabric and rope, his art elevates the mundane to the level of myth. This is the first English-language overview of his work.
