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LACE/Pitzer College Art GalleriesBOOK FORMAT
Clth, 8.25 x 11 in. / 248 pgs / 75 color / 100 bw. PUBLISHING STATUS
Pub Date 11/21/2017
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Catalog: FALL 2017 p. 147 PRODUCT DETAILS
ISBN 9780996644525 TRADE
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Pitzer College Art Galleries, 09/17–12/17 | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | LACE/PITZER COLLEGE ART GALLERIESJuan Downey: Radiant NatureIntroduction by Robert Crouch, Ciara Ennis. Text by Bill Anthes, Ciara Ennis, Julieta González, et al. Interviews with Stuart Comer, Marilys Downey, Jim Harithas.
Radiant Nature contributes substantial new scholarship on the early work of Chilean artist Juan Downey (1940–93) through the exploration of works made between 1967 and 1975: interactive sculptures (1967–71); happenings and performances (1968–75); and the Life Cycle Installations (1970–71).Key themes addressed here include the interaction between technology, aesthetics and the body as a means to forge more horizontal forms of participation and more ethical ways to interact with the environment.
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| | | |  | Edited by Julieta González, Javier Rivero Ramos. Text by Julieta González, Felicity D. Scott, Francesco Pellizi, Edward Shanken, Juan Downey.RM/EDICIONES MPISBN: 9788417047818
USD $75.00 | CAN $105Pub Date: 5/21/2019
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|  | LACE/PITZER COLLEGE ART GALLERIESISBN: 9780996644525
USD $45.00 | CAN $60 UK £ 40Pub Date: 11/21/2017
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FORMAT: Clth, 8.25 x 11 in. / 248 pgs / 75 color / 100 b&w.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
GBP £40.00
ISBN: 9780996644525
PUBLISHER: LACE/Pitzer College Art Galleries
AVAILABLE: 11/21/2017
DISTRIBUTION: D.A.P.
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| Juan Downey: Radiant Nature Published by LACE/Pitzer College Art Galleries.
Introduction by Robert Crouch, Ciara Ennis. Text by Bill Anthes, Ciara Ennis, Julieta González, et al. Interviews with Stuart Comer, Marilys Downey, Jim Harithas. | Radiant Nature contributes substantial new scholarship on the early work of Chilean artist Juan Downey (1940–93) through the exploration of works made between 1967 and 1975: interactive sculptures (1967–71); happenings and performances (1968–75); and the Life Cycle Installations (1970–71). Key themes addressed here include the interaction between technology, aesthetics and the body as a means to forge more horizontal forms of participation and more ethical ways to interact with the environment.
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