| | BOOK FORMAT
Clth, 9.5 x 11.75 in. / 262 pgs / 220 duotone. PUBLISHING STATUS
Pub Date 1/31/2013
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2013 p. 18 PRODUCT DETAILS
ISBN 9781938922060 TRADE
List Price: $65.00 CDN $87.00 GBP £57.00 AVAILABILITY
Not available | EXHIBITION SCHEDULEMadrid, Spain
Fundacion Mapfre, 09/18/12-01/20/13
Bogotá, Columbia
Banco de la República, Spring 2013
Stockholm, Sweden
Kulturhuset, Summer 2013
Madrid, Spain
Fundacion Mapfre, 09/18/12-01/20/13
Bogotá, Columbia
Banco de la República, Spring 2013
Stockholm, Sweden
Kulturhuset, Summer 2013 | "Cunningham took many beautifully staged images of her husband and three sons, and her merger of the roles of mother and artist inspired contemporary photographers like Sally Mann and Katharina Bosse. But she had many lives as an artist: training with Edward Curtis, founding f/64 with Ansel Adams and Edward Weston, shooting Hollywood portraits for Vanity Fair, street photography. Imogen Cunningham is a superbly printed celebration of this sculptor in black and white." --The Wall Street Journal. |
| | | Imogen CunninghamText by Celina Lunsford, Jamie M. Allen, Marisa C. Sánchez.
 Throughout her long life, Imogen Cunningham was tireless and exemplary in her pursuit of new developments in photography and in the expansion of her own practice. An inspiration to several successive generations, she reinvented the genres of botanical photography, street photography, nudes and portraiture, and expanded the possibilities of the double exposure. This publication celebrates the rich diversity of this modernist pioneer, covering Cunningham’s entire seven-decade career--from her abstract shots of plants and nudes and optical illusions created using techniques such as inverted positive/negative images and double exposure, to her iconic portraits for Vanity Fair of artists, dancers, actors, musicians and writers such as Man Ray, Alfred Stieglitz, Martha Graham, Frida Kahlo, Gertrude Stein, Morris Graves and Merce Cunningham. The selection also includes many rarely reproduced works, plus essays by Celina Lunsford, curator of the exhibition, Jamie M. Allen and Marisa C. Sánchez, an illustrated chronology and selected bibliography.
Born in Portland, Oregon, Imogen Cunningham (1883–1976) chose at an early age to become a photographer and a working woman outside the home--choices that were profoundly bold for a woman of her generation. Around 1905-06, she purchased a 4 x 5 inch camera. After completing studies at the University of Washington, and the Technische Hochschule in Germany, she married, living first in Seattle and later in San Francisco, where--with Ansel Adams, John Paul Edwards, Sonya Noskowiak, Henry Swift, Willard Van Dyke and Edward Weston--she cofounded Group f/64, which practiced the conceptual constraint of unmanipulated photography. In 1945, Adams Cunningham joined the faculty of the California School of Fine Arts. She continued to take photographs until shortly before her death at 93.
Featured image is reproduced from Imogen Cunningham.PRAISE AND REVIEWSThe Wall Street Journal The Editors Cunnigham took many beautifully staged images of her husband and three sons, and her merger of the roles of mother and artist inspired contemporary photographers like Sally Mann and Katharina Bosse. But she had many lives as an artist: training with Edward Curtis, founding f/64 with Ansel Adams and Edward Weston, shooting Hollywood portraits for Vanity Fair, street photography. 'Imogen Cunnigham' (TF Editores, 253 pages, $65) is a superbly printed celebration of this sculptor in black and white. |
|  | STATUS: Out of stock indefinitely. | |
| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 12/7/2013 "Imogen Cunningham was a true artist: throughout her long life she embraced the diverse developments of photography and the liveliness of the changing times in which she lived (1993-1976). An inspiration to successive generations, she was herself a vintage figure, a root of the ever-expanding family tree of photography that we continue to experience in our lives today. Her genuine human interest was on-going and is still refreshing now, at a time when photography has become overpowered by artistic re-interpretation and appropriated photographs themselves are seen as precious objets d'art. It is her modernist artistic legacy that has impacted photography most, but her thirst for experimentation was perpetual. Her integrity, frankness of opinion, her wit and respect of individual rights live on." Curator Celina Lunsford's text is reproduced from Imogen Cunningham, one of our top Holiday Gift Books of 2013. continue to blogFROM THE ARTBOOK BLOG THOMAS EVANS | DATE 1/23/2013 Throughout her long life, Imogen Cunningham (1883–1976) was tireless and exemplary in her pursuit of new developments in photography and in the expansion of her own practice. An inspiration to several successive generations, she reinvented the genres of botanical photography, street photography, nudes and portraiture, and expanded the possibilities of the double exposure. A sumptuous new publication by TF Editores / D.A.P. celebrates the rich diversity of this modernist pioneer, covering Cunningham’s entire seven-decade career—from her abstract shots of plants and nudes and optical illusions created using techniques such as inverted positive/negative images and double exposure, to her iconic portraits for Vanity Fair of artists, dancers, actors, musicians and writers such as Man Ray, Alfred Stieglitz, Martha Graham, Frida Kahlo, Gertrude Stein, Morris Graves and Merce Cunningham. Featured image, "Calla Lily" (1925), is reproduced from Imogen Cunningham. continue to blog | FORTHCOMING AND RECENT PHOTOGRAPHY BOOKS |  | Edited with introduction by Randy Kennedy. Conversations with Hugh Edwards, Nan Goldin, Susan Meiselas.KARMA BOOKS, NEW YORKISBN: 9781949172454
USD $35.00 | CAN $49 UK £ 30Pub Date: 2/9/2021
Forthcoming
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|  | Edited by Michael Shulman, Tony Nourmand. Foreword by Eli Reed.REEL ART PRESSISBN: 9781909526778
USD $59.95 | CAN $84.95Pub Date: 11/17/2020
Active | In stock
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|  | Text by Christopher Bonanos, Christopher George.DAMIANI/INTERNATIONAL CENTER OF PHOTOGRAPHYISBN: 9788862086950
USD $39.95 | CAN $55.95Pub Date: 4/7/2020
Active | In stock
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|  | THE MUSEUM OF MODERN ART, NEW YORKISBN: 9781633451049
USD $55.00 | CAN $77Pub Date: 2/25/2020
Active | In stock
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|  | Text by Robin Muir.NATIONAL PORTRAIT GALLERY, LONDONISBN: 9781855147720
USD $49.95 | CAN $69.95Pub Date: 5/12/2020
Active | In stock
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|  | Edited by Matthieu Humery. Text by Javier Cercas, Sylvie Aubenas, Annie Leibovitz, François Pinault, Wim Wenders.MARSILIOISBN: 9788829704200
USD $65.00 | CAN $92 UK £ 57Pub Date: 8/25/2020
Active | In stock
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|  | Text by Kerry Brougher, Andy Grundberg, Anne W. Tucker.STEIDLISBN: 9783958296695
USD $125.00 | CAN $175Pub Date: 2/11/2020
Active | In stock
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|  | Edited with text by Sarah Hermanson Meister. Foreword by Peter W. Kunhardt Jr., Glenn D. Lowry. Text by Nicole Fleetwood, Bryan Stevenson.STEIDL/THE GORDON PARKS FOUNDATIONISBN: 9783958296961
USD $40.00 | CAN $56Pub Date: 6/16/2020
Active | Out of stock
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|  | Edited by Michael Shulman, Tony Nourmand. Foreword by Studs Terkel.REEL ART PRESSISBN: 9781909526709
USD $59.95 | CAN $84.95Pub Date: 10/26/2021
Forthcoming
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|  | Text by Robert Adams, William Blake, Emily Dickinson.STEIDLISBN: 9783958296848
USD $60.00 | CAN $85Pub Date: 7/1/2021
Forthcoming
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|  | STEIDLISBN: 9783958293069
USD $30.00 | CAN $42Pub Date: 11/10/2020
Active | In stock
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|  | By Hank O’Neal.STEIDLISBN: 9783958297012
USD $50.00 | CAN $69.95Pub Date: 2/16/2021
Forthcoming
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FORMAT: Clth, 9.5 x 11.75 in. / 262 pgs / 220 duotone.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $87
GBP £57.00
ISBN: 9781938922060
PUBLISHER: TF Editores/D.A.P.
AVAILABLE: 1/31/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: WORLD Except Spain and Germany | D.A.P. CATALOG: SPRING 2013 Page 18 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Imogen Cunningham Published by TF Editores/D.A.P..
Text by Celina Lunsford, Jamie M. Allen, Marisa C. Sánchez. | Throughout her long life, Imogen Cunningham was tireless and exemplary in her pursuit of new developments in photography and in the expansion of her own practice. An inspiration to several successive generations, she reinvented the genres of botanical photography, street photography, nudes and portraiture, and expanded the possibilities of the double exposure. This publication celebrates the rich diversity of this modernist pioneer, covering Cunningham’s entire seven-decade career--from her abstract shots of plants and nudes and optical illusions created using techniques such as inverted positive/negative images and double exposure, to her iconic portraits for Vanity Fair of artists, dancers, actors, musicians and writers such as Man Ray, Alfred Stieglitz, Martha Graham, Frida Kahlo, Gertrude Stein, Morris Graves and Merce Cunningham. The selection also includes many rarely reproduced works, plus essays by Celina Lunsford, curator of the exhibition, Jamie M. Allen and Marisa C. Sánchez, an illustrated chronology and selected bibliography.
Born in Portland, Oregon, Imogen Cunningham (1883–1976) chose at an early age to become a photographer and a working woman outside the home--choices that were profoundly bold for a woman of her generation. Around 1905-06, she purchased a 4 x 5 inch camera. After completing studies at the University of Washington, and the Technische Hochschule in Germany, she married, living first in Seattle and later in San Francisco, where--with Ansel Adams, John Paul Edwards, Sonya Noskowiak, Henry Swift, Willard Van Dyke and Edward Weston--she cofounded Group f/64, which practiced the conceptual constraint of unmanipulated photography. In 1945, Adams Cunningham joined the faculty of the California School of Fine Arts. She continued to take photographs until shortly before her death at 93.
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