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| | | Ben Patterson: In the State of FluxusEdited by Valerie Cassel Oliver. Text by Valerie Cassel Oliver, Bertrand Clavez, Charles Gaines.
Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists.
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| | | OF RELATED INTEREST |  Foreword by Marti Mayo. Text by Greg Tate, Romi Crawford, Valerie Cassel Oliver.CONTEMPORARY ARTS MUSEUM, HOUSTONISBN: 9781933619040
USD $19.95 | CAN $27.95 UK £ 17.5Pub Date: 8/1/2007
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|  | Introduction and text by Joseph Becker, Jenny Gheith, Linda Dalrymple Henderson. Afterword by Neal Benezra.D.A.P./SFMOMAISBN: 9781942884552
USD $50.00 | CAN $69.95 UK £ 45Pub Date: 4/21/2020
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FORMAT: Flexi, 8.5 x 8.5 in. / 260 pgs / 150 color / Audio CD.
LIST PRICE: U.S. $34.95
LIST PRICE: CANADA $45.95
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ISBN: 9781933619293
PUBLISHER: Contemporary Arts Museum, Houston
AVAILABLE: 7/31/2012
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| Ben Patterson: In the State of Fluxus Published by Contemporary Arts Museum, Houston.
Edited by Valerie Cassel Oliver. Text by Valerie Cassel Oliver, Bertrand Clavez, Charles Gaines. | Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists.
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