| | BOOK FORMAT
Clth, 10 x 12 in. / 112 pgs / 65 color. PUBLISHING STATUS
Pub Date 12/7/2021
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Catalog: FALL 2021 p. 100 PRODUCT DETAILS
ISBN 9781735762920 TRADE
List Price: $50.00 CAD $68.00 GBP £39.99 AVAILABILITY
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| | | Lydia Panas: Sleeping BeautyText by Marina Chao, Maggie Jones, Monae Mallory.
 Portraits of women and girls intertwined with the photographer’s gaze, in a rare subversion of photography’s power relationsThis volume presents award-winning Pennsylvania-based photographer Lydia Panas’ (born 1958) much-praised series of mesmerizing color portraits of reclining women and girls. In an interesting reversal of roles, the artist's and models' gazes are intertwined, incorporating the viewer as participant in an often uncomfortable connection. Critics and curators have praised the work for Panas’ artistic and technical mastery, and all have noted and examined the powerfully affecting gaze of her subjects. Panas notes: “While my subjects do in actuality turn their gaze towards me, it’s as if at times I turn the camera onto myself, both in the present and back in time.” In Sleeping Beauty, her subjects lie down, a metaphor for the position girls and women have been placed in historically. But they look out with self-awareness, in a way that implies a lack of complicity.
Featured image is reproduced from 'Lydia Panas: Sleeping Beauty'. |
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FORMAT: Clth, 10 x 12 in. / 112 pgs / 65 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $68
GBP £39.99
ISBN: 9781735762920
PUBLISHER: MW Editions
AVAILABLE: 12/7/2021
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Lydia Panas: Sleeping Beauty Published by MW Editions.
Text by Marina Chao, Maggie Jones, Monae Mallory. Portraits of women and girls intertwined with the photographer’s gaze, in a rare subversion of photography’s power relations This volume presents award-winning Pennsylvania-based photographer Lydia Panas’ (born 1958) much-praised series of mesmerizing color portraits of reclining women and girls. In an interesting reversal of roles, the artist's and models' gazes are intertwined, incorporating the viewer as participant in an often uncomfortable connection. Critics and curators have praised the work for Panas’ artistic and technical mastery, and all have noted and examined the powerfully affecting gaze of her subjects. Panas notes: “While my subjects do in actuality turn their gaze towards me, it’s as if at times I turn the camera onto myself, both in the present and back in time.” In Sleeping Beauty, her subjects lie down, a metaphor for the position girls and women have been placed in historically. But they look out with self-awareness, in a way that implies a lack of complicity.
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