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| | | | Jay DeFeoText by Walead Beshty.
 Published on the occasion of Jay DeFeo's (1929–89) first exhibition at Mitchell-Innes & Nash featuring 50 key works spanning the years 1965–89, this volume examines DeFeo's distinctive exploration of visual vocabulary, rich materiality and experimental process across the mediums of painting, drawing, photography and rarely seen photocopy works. The catalogue features two double-page spreads of major paintings: "Lotus Eater" from 1974 and "Tuxedo Junction" from 1965/74, the latter having the distinction of being one of the only remaining works which DeFeo worked on while she worked on "The Rose." The essay by Los Angeles–based artist Walead Beshty focuses on the handful of forms and objects that appear and reappear in DeFeo's work, accruing meaning incrementally over time.
Jay DeFeo, "Untitled", 1979, is reproduced from Jay DeFeo. |
|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
| | | |  | SOBERSCOVE PRESSISBN: 9781940190297
USD $28.00 | CAN $34 UK £ 22.5Pub Date: 12/7/2021
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|  | MITCHELL-INNES & NASHISBN: 9780998631233
USD $60.00 | CAN $79 UK £ 53Pub Date: 10/23/2018
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|  | MITCHELL-INNES & NASHISBN: 9780988618817
USD $40.00 | CAN $54 UK £ 35Pub Date: 8/25/2015
Active | Out of stock
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|  | JRP|RINGIERISBN: 9783037643396
USD $45.00 | CAN $60Pub Date: 9/30/2013
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FORMAT: Hbk, 9 x 11.5 in. / 86 pgs / 50 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
GBP £35.00
ISBN: 9780988618817
PUBLISHER: Mitchell-Innes & Nash
AVAILABLE: 8/25/2015
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
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| Jay DeFeo Published by Mitchell-Innes & Nash.
Text by Walead Beshty. Published on the occasion of Jay DeFeo's (1929–89) first exhibition at Mitchell-Innes & Nash featuring 50 key works spanning the years 1965–89, this volume examines DeFeo's distinctive exploration of visual vocabulary, rich materiality and experimental process across the mediums of painting, drawing, photography and rarely seen photocopy works. The catalogue features two double-page spreads of major paintings: "Lotus Eater" from 1974 and "Tuxedo Junction" from 1965/74, the latter having the distinction of being one of the only remaining works which DeFeo worked on while she worked on "The Rose." The essay by Los Angeles–based artist Walead Beshty focuses on the handful of forms and objects that appear and reappear in DeFeo's work, accruing meaning incrementally over time.
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