ARTIST MONOGRAPHS

PUBLISHER
Institute of Contemporary Art, University of Pennsylvania

BOOK FORMAT
Paperback, 7.25 x 9.25 in. / 150 pgs / 49 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2021 p. 132   

PRODUCT DETAILS
ISBN 9780884541530 TRADE
List Price: $25.00 CDN $34.00 GBP £20.00

AVAILABILITY
In stock

BROWSE THE 2022 MID WINTER CATALOG

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Preview our Mid-Winter 2022 catalog, featuring new books on art, photography, design, architecture, film, music and visual culture.

  

INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENNSYLVANIA

Karyn Olivier: Everything That's Alive Moves

Edited with text by Anthony Elms. Introduction by John McInerney. Text by Andrianna Campbell-LaFleur, Karyn Olivier, Liz Park.

Karyn Olivier: Everything That's Alive Moves

Multimedia reveries on the power and rhetoric of public monuments and the persistence of the political past

This publication documents the first solo museum exhibition of Philadelphia-based sculptor Karyn Olivier (born 1968), focusing on recent trajectories of her investigation into scale and public memory, particularly as activated for monuments and memorials. After several years developing a number of public commissions, and a year's study in Rome, Olivier revisited a handful of recent works alongside her first forays into video and sound, to consider the conflicted histories and unresolved spaces monuments too often shadow. Organized by the Institute of Contemporary Art, University of Pennsylvania, the exhibition traveled to the University at Buffalo Art Galleries. Exhibition images from the venues are accompanied by the full narrative text for Oliver's first video; an overview essay from ICA Daniel and Brett Sundheim Chief Curator Anthony Elms; UB Art Galleries curator Liz Park's in-depth consideration of Moving the Obelisk; and a critical assessment by art historian Andrianna Campbell-LaFleur.


Featured image is reproduced from 'Karyn Olivier: Everything That's Alive Moves'.

Karyn Olivier: Everything That's Alive Moves

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