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| | PUBLISHER Los Angeles County Museum of ArtBOOK FORMAT Hardback, 10.5 x 11.5 in. / 246 pgs / 140 color / 60 bw. PUBLISHING STATUS Pub Date 4/1/2008 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 35 PRODUCT DETAILS ISBN 9780875871974 TRADE List Price: $60.00 CDN $70.00 AVAILABILITY Not available | TERRITORY WORLD | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | LOS ANGELES COUNTY MUSEUM OF ARTBCAM/LACMA/2008The Broad Contemporary Art Museum at the Los Angeles County Museum of ArtForeword by Michael Govan. Text by Lynn Zelevansky.
BCAM/LACMA/2008 marks the opening of LACMA's new three-story contemporary-art building, designed by Pritzker Prize-winning architect Renzo Piano. The centerpiece of the book is the fascinating--and hitherto largely untold--history of contemporary art at LACMA, written by Lynn Zelevansky, Curator of Contemporary Art. Zelevansky's 26,000-word essay is profusely illustrated with signature works from the collection and numerous historical and documentary photographs. In addition, an essay by LACMA's Director, Michael Govan, explores the synergetic enrichment of the museum's contemporary holdings by the world-famous collection of Eli and Edythe Broad, illustrated with 30 full-page reproductions of masterworks and recent acquisitions. A conversation with Govan, Broad and Piano provides intimate background details on the entire collaborative building process, from idea through funding, design and execution. As a unique contribution to the volume, four Los Angeles artists were commissioned to respond to the building project with a photography project. Anthony Hernandez provided a portfolio of elegant abstractions. Sharon Lockhart photographed the process of archaeological excavation from the underlying tar pits. The Center for Land Use Interpretation journeyed to the far-flung quarries and mines that were the sources of the construction materials. And Uta Barth discovered spaces of beauty and mystery within the unfinished building. BCAM/LACMA/2008 is not only a celebration of a significant moment, but also an in-depth look at a vital, growing institution.
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FORMAT: Hardback, 10.5 x 11.5 in. / 246 pgs / 140 color / 60 b&w. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $70 ISBN: 9780875871974 PUBLISHER: Los Angeles County Museum of Art AVAILABLE: 4/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2008 Page 35 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| BCAM/LACMA/2008 The Broad Contemporary Art Museum at the Los Angeles County Museum of Art Published by Los Angeles County Museum of Art. Foreword by Michael Govan. Text by Lynn Zelevansky. BCAM/LACMA/2008 marks the opening of LACMA's new three-story contemporary-art building, designed by Pritzker Prize-winning architect Renzo Piano. The centerpiece of the book is the fascinating--and hitherto largely untold--history of contemporary art at LACMA, written by Lynn Zelevansky, Curator of Contemporary Art. Zelevansky's 26,000-word essay is profusely illustrated with signature works from the collection and numerous historical and documentary photographs. In addition, an essay by LACMA's Director, Michael Govan, explores the synergetic enrichment of the museum's contemporary holdings by the world-famous collection of Eli and Edythe Broad, illustrated with 30 full-page reproductions of masterworks and recent acquisitions. A conversation with Govan, Broad and Piano provides intimate background details on the entire collaborative building process, from idea through funding, design and execution. As a unique contribution to the volume, four Los Angeles artists were commissioned to respond to the building project with a photography project. Anthony Hernandez provided a portfolio of elegant abstractions. Sharon Lockhart photographed the process of archaeological excavation from the underlying tar pits. The Center for Land Use Interpretation journeyed to the far-flung quarries and mines that were the sources of the construction materials. And Uta Barth discovered spaces of beauty and mystery within the unfinished building. BCAM/LACMA/2008 is not only a celebration of a significant moment, but also an in-depth look at a vital, growing institution.
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