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Charta/Perry Rubinstein GalleryBOOK FORMAT
Paperback, 8.5 x 11 in. / 120 pgs / 100 color. PUBLISHING STATUS
Pub Date 7/15/2005
No longer our product DISTRIBUTION
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Catalog: FALL 2005 p. 140 PRODUCT DETAILS
ISBN 9788881585441 TRADE
List Price: $39.95 CDN $50.00 AVAILABILITY
Not available | | BROWSE THE 2020 FALL CATALOG  Preview our FALL 2020 catalog, featuring 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | CHARTA/PERRY RUBINSTEIN GALLERYSturtevant: Push And ShoveArtwork by Elaine Sturtevant.
An art-world legend records that somebody once asked Andy Warhol about his process, to which he replied, “I don't know. Ask Elaine.” True or not, one thing is sure--Elaine Sturtevant likes to fake it. Working alongside her contemporaries since the mid-1960s, the artist is best known today for her reproductions of then-radical works by Andy Warhol, Frank Stella, Claus Oldenburg, Jasper Johns, Joseph Beuys, and others. Mainly absent from the art scene in the 1970s, Sturtevant reemerged in the 1980s, and has adhered to her rigorous conceptual strategy ever since, even re-creating Paul McCarthy's fabulously grotesque video performance, “The Painter” in 2002. Exploring notions of originality, replication and simulacra, Sturtevant's work has been a meditation on as much as a provocation of such concepts, and has continued to garner attention in her 40 years of practice in the fields of art history and philosophy. Included here are images of her re-installation of Marcel Duchamp's 1,200 coal bags at New York's Perry Rubinstein Gallery and stills from her 1967 film, Nude Descending a Staircase. Also represented is the artist's seven-channel video installation from 2003, The Dark Threat of Absence/Fragmented and Sliced.
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| | | | |  | Edited with text by Susanne Gaensheimer, Antonia Hoerschelmann, Udo Kittelmann, Mario Kramer, Klaus Albrecht Schröder. Text by Michael Lobel.JRP|RINGIERISBN: 9783037643969
USD $39.95 | CAN $53.95Pub Date: 2/24/2015
Active | In stock
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|  | Text by Peter Eleey. Interview by Bruce Hainley and Michael Lobel.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870709494
USD $50.00 | CAN $67.5Pub Date: 11/30/2014
Active | In stock
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|  | Edited by Kathryn Rattee. Foreword by Julia Peyton-Jones, Hans Ulrich Obrist. Text by Daniel Birnbaum.WALTHER KöNIG, KöLNISBN: 9783863354039
USD $14.95 | CAN $21Pub Date: 10/31/2013
Active | In stock
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|  | Edited by Fredrik Liew. Text by Daniel Birnbaum, Bruce Hainley, Fredrik Liew, Paul McCarthy, Stéphanie Moisdon, Beatrix Ruf, Elaine Sturtevant.JRP|RINGIERISBN: 9783037642825
USD $24.95 | CAN $33.95Pub Date: 8/31/2012
Active | In stock
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|  | Edited by Anne Dressen. Text by Bruce Hainley, Fabrice Hergott.JRP|RINGIERISBN: 9783037640906
USD $55.00 | CAN $72.5Pub Date: 8/31/2010
Out of stock indefinitely | Not available
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|  | Edited by Udo Kittelmann.WALTHER KöNIG, KöLNISBN: 9783865604729
USD $45.00 | CAN $60Pub Date: 3/1/2009
Active | In stock
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|  | Edited by Udo Kittelmann, Mario Kramer and Lena Maculan. Essay by Bernard BlistŔne. Interviews with Gerd de Vries and John Waters.HATJE CANTZISBN: 9783775714853
USD $65.00 | CAN $75Pub Date: 3/15/2005
Out of print | Not available
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|  | Edited by Alexander Tolnay. Essays by Bernard BlistŔne and Bruce Hainley.HATJE CANTZISBN: 9783775791120
USD $12.95 | CAN $15Pub Date: 8/2/2002
Out of print | Not available
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FORMAT: Paperback, 8.5 x 11 in. / 120 pgs / 100 color.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9788881585441
PUBLISHER: Charta/Perry Rubinstein Gallery
AVAILABLE: 7/15/2005
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| Sturtevant: Push And Shove Published by Charta/Perry Rubinstein Gallery.
Artwork by Elaine Sturtevant. | An art-world legend records that somebody once asked Andy Warhol about his process, to which he replied, “I don't know. Ask Elaine.” True or not, one thing is sure--Elaine Sturtevant likes to fake it. Working alongside her contemporaries since the mid-1960s, the artist is best known today for her reproductions of then-radical works by Andy Warhol, Frank Stella, Claus Oldenburg, Jasper Johns, Joseph Beuys, and others. Mainly absent from the art scene in the 1970s, Sturtevant reemerged in the 1980s, and has adhered to her rigorous conceptual strategy ever since, even re-creating Paul McCarthy's fabulously grotesque video performance, “The Painter” in 2002. Exploring notions of originality, replication and simulacra, Sturtevant's work has been a meditation on as much as a provocation of such concepts, and has continued to garner attention in her 40 years of practice in the fields of art history and philosophy. Included here are images of her re-installation of Marcel Duchamp's 1,200 coal bags at New York's Perry Rubinstein Gallery and stills from her 1967 film, Nude Descending a Staircase. Also represented is the artist's seven-channel video installation from 2003, The Dark Threat of Absence/Fragmented and Sliced.
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