| | PUBLISHER Charta/Perry Rubinstein GalleryBOOK FORMAT Paperback, 8.5 x 11 in. / 120 pgs / 100 color. PUBLISHING STATUS Pub Date 7/15/2005 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2005 p. 140 PRODUCT DETAILS ISBN 9788881585441 TRADE List Price: $39.95 CDN $50.00 AVAILABILITY Not available | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | CHARTA/PERRY RUBINSTEIN GALLERYSturtevant: Push And ShoveArtwork by Elaine Sturtevant.
An art-world legend records that somebody once asked Andy Warhol about his process, to which he replied, “I don't know. Ask Elaine.” True or not, one thing is sure--Elaine Sturtevant likes to fake it. Working alongside her contemporaries since the mid-1960s, the artist is best known today for her reproductions of then-radical works by Andy Warhol, Frank Stella, Claus Oldenburg, Jasper Johns, Joseph Beuys, and others. Mainly absent from the art scene in the 1970s, Sturtevant reemerged in the 1980s, and has adhered to her rigorous conceptual strategy ever since, even re-creating Paul McCarthy's fabulously grotesque video performance, “The Painter” in 2002. Exploring notions of originality, replication and simulacra, Sturtevant's work has been a meditation on as much as a provocation of such concepts, and has continued to garner attention in her 40 years of practice in the fields of art history and philosophy. Included here are images of her re-installation of Marcel Duchamp's 1,200 coal bags at New York's Perry Rubinstein Gallery and stills from her 1967 film, Nude Descending a Staircase. Also represented is the artist's seven-channel video installation from 2003, The Dark Threat of Absence/Fragmented and Sliced.
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| | | | |  | Edited with text by Susanne Gaensheimer, Antonia Hoerschelmann, Udo Kittelmann, Mario Kramer, Klaus Albrecht Schröder. Text by Michael Lobel.JRP|RINGIERISBN: 9783037643969 USD $39.95 | CAN $53.95Pub Date: 2/24/2015 Active | In stock
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|  | Text by Peter Eleey. Interview by Bruce Hainley and Michael Lobel.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870709494 USD $50.00 | CAN $67.5Pub Date: 11/30/2014 Active | In stock
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|  | Edited by Kathryn Rattee. Foreword by Julia Peyton-Jones, Hans Ulrich Obrist. Text by Daniel Birnbaum.WALTHER KöNIG, KöLNISBN: 9783863354039 USD $14.95 | CAN $21Pub Date: 10/31/2013 Active | In stock
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|  | Edited by Fredrik Liew. Text by Daniel Birnbaum, Bruce Hainley, Fredrik Liew, Paul McCarthy, Stéphanie Moisdon, Beatrix Ruf, Elaine Sturtevant.JRP|RINGIERISBN: 9783037642825 USD $24.95 | CAN $33.95Pub Date: 8/31/2012 Active | In stock
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|  | Edited by Udo Kittelmann.WALTHER KöNIG, KöLNISBN: 9783865604729 USD $45.00 | CAN $60Pub Date: 3/1/2009 Active | In stock
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FORMAT: Paperback, 8.5 x 11 in. / 120 pgs / 100 color. LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9788881585441 PUBLISHER: Charta/Perry Rubinstein Gallery AVAILABLE: 7/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2005 Page 140 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Sturtevant: Push And Shove Published by Charta/Perry Rubinstein Gallery. Artwork by Elaine Sturtevant. | An art-world legend records that somebody once asked Andy Warhol about his process, to which he replied, “I don't know. Ask Elaine.” True or not, one thing is sure--Elaine Sturtevant likes to fake it. Working alongside her contemporaries since the mid-1960s, the artist is best known today for her reproductions of then-radical works by Andy Warhol, Frank Stella, Claus Oldenburg, Jasper Johns, Joseph Beuys, and others. Mainly absent from the art scene in the 1970s, Sturtevant reemerged in the 1980s, and has adhered to her rigorous conceptual strategy ever since, even re-creating Paul McCarthy's fabulously grotesque video performance, “The Painter” in 2002. Exploring notions of originality, replication and simulacra, Sturtevant's work has been a meditation on as much as a provocation of such concepts, and has continued to garner attention in her 40 years of practice in the fields of art history and philosophy. Included here are images of her re-installation of Marcel Duchamp's 1,200 coal bags at New York's Perry Rubinstein Gallery and stills from her 1967 film, Nude Descending a Staircase. Also represented is the artist's seven-channel video installation from 2003, The Dark Threat of Absence/Fragmented and Sliced.
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