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Hardcover, 9.5 x 11.75 in. / 272 pgs / 250 color. PUBLISHING STATUS
Pub Date 3/1/2006
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Catalog: SPRING 2006 p. 122 PRODUCT DETAILS
ISBN 9788475067339 TRADE
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Not available | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
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Over the past 20 years, Spanish painter Jorge Galindo's work has become an increasingly important piece of the puzzle that is the European art world. His passionate, chaotic approach to the canvas has testified to a strong artistic temperament, while his use of a range of materials--some salvaged--in large formats has complicated matters agreeably. More recently his work is evolving into a figurative, and on occasion almost clean, style. Having left behind the collage, Galindo is working with calendar-like mid-century images of women, and painting in disproportionate, out of place, and sometimes fantastic elements. Some might call the resulting works trompe l'oeil collages; he defines them as "unreal paintings." This is the first catalogue dedicated to Galindo's work.
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FORMAT: Hardcover, 9.5 x 11.75 in. / 272 pgs / 250 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9788475067339
PUBLISHER: Turner/Ramis Barquet
AVAILABLE: 3/1/2006
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PUBLISHING STATUS: Out of print
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| Jorge Galindo: Elixir Published by Turner/Ramis Barquet.
Essay by Omar Pascual. | Over the past 20 years, Spanish painter Jorge Galindo's work has become an increasingly important piece of the puzzle that is the European art world. His passionate, chaotic approach to the canvas has testified to a strong artistic temperament, while his use of a range of materials--some salvaged--in large formats has complicated matters agreeably. More recently his work is evolving into a figurative, and on occasion almost clean, style. Having left behind the collage, Galindo is working with calendar-like mid-century images of women, and painting in disproportionate, out of place, and sometimes fantastic elements. Some might call the resulting works trompe l'oeil collages; he defines them as "unreal paintings." This is the first catalogue dedicated to Galindo's work.
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