| | BOOK FORMAT Hardcover, 9.5 x 11.75 in. / 272 pgs / 250 color. PUBLISHING STATUS Pub Date 3/1/2006 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 122 PRODUCT DETAILS ISBN 9788475067339 TRADE List Price: $55.00 CAD $65.00 AVAILABILITY Not available | TERRITORY NA ASIA AU/NZ AFR ME | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Jorge Galindo: ElixirEssay by Omar Pascual.
Over the past 20 years, Spanish painter Jorge Galindo's work has become an increasingly important piece of the puzzle that is the European art world. His passionate, chaotic approach to the canvas has testified to a strong artistic temperament, while his use of a range of materials--some salvaged--in large formats has complicated matters agreeably. More recently his work is evolving into a figurative, and on occasion almost clean, style. Having left behind the collage, Galindo is working with calendar-like mid-century images of women, and painting in disproportionate, out of place, and sometimes fantastic elements. Some might call the resulting works trompe l'oeil collages; he defines them as "unreal paintings." This is the first catalogue dedicated to Galindo's work.
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FORMAT: Hardcover, 9.5 x 11.75 in. / 272 pgs / 250 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $65 ISBN: 9788475067339 PUBLISHER: Turner/Ramis Barquet AVAILABLE: 3/1/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 122 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Jorge Galindo: Elixir Published by Turner/Ramis Barquet. Essay by Omar Pascual. Over the past 20 years, Spanish painter Jorge Galindo's work has become an increasingly important piece of the puzzle that is the European art world. His passionate, chaotic approach to the canvas has testified to a strong artistic temperament, while his use of a range of materials--some salvaged--in large formats has complicated matters agreeably. More recently his work is evolving into a figurative, and on occasion almost clean, style. Having left behind the collage, Galindo is working with calendar-like mid-century images of women, and painting in disproportionate, out of place, and sometimes fantastic elements. Some might call the resulting works trompe l'oeil collages; he defines them as "unreal paintings." This is the first catalogue dedicated to Galindo's work.
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