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| | | | Rodin & BeuysEdited by Pamela Kort and Max Hollein. Essays by Claude Keisch, Helene Pinet, Josephine Gabler and Dieter Koepplin.
Between 1947 and 1964 Joseph Beuys produced a swath of works on paper that, in their style, technique, and formal vocabulary, echo those of Auguste Rodin by way of his teacher and mentor, sculptor, Wilhelm Lehmbruck. Although Beuys's work remains very different from his predecessors', it does take up themes they had pursued, including the idea of the torso as an autonomous, enclosed form and of the fragment as the simplest and most elementary embodiment of immutability. This book sets Beuys's works on paper and sculptures opposite the works on paper and sculptures of Rodin and Lehmbruck, and finds both striking affinities and autonomy.
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|  | DIA ART FOUNDATIONISBN: 9780944521342
USD $60.00 | CAN $79 UK £ 53Pub Date: 5/2/1999
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FORMAT: Hardcover, 9 x 11.75 in. / 368 pgs / 187 color / 121 b&w / 10 duotone.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $79
ISBN: 9783937572345
PUBLISHER: Richter Verlag
AVAILABLE: 3/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 98 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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Tel: (212) 627-1999
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Email Trade Sales: orders@dapinc.com |
| Rodin & Beuys Published by Richter Verlag.
Edited by Pamela Kort and Max Hollein. Essays by Claude Keisch, Helene Pinet, Josephine Gabler and Dieter Koepplin. Between 1947 and 1964 Joseph Beuys produced a swath of works on paper that, in their style, technique, and formal vocabulary, echo those of Auguste Rodin by way of his teacher and mentor, sculptor, Wilhelm Lehmbruck. Although Beuys's work remains very different from his predecessors', it does take up themes they had pursued, including the idea of the torso as an autonomous, enclosed form and of the fragment as the simplest and most elementary embodiment of immutability. This book sets Beuys's works on paper and sculptures opposite the works on paper and sculptures of Rodin and Lehmbruck, and finds both striking affinities and autonomy.
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