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| | BOOK FORMAT Hardcover, 9 x 11.75 in. / 368 pgs / 187 color / 121 bw / 10 duotone. PUBLISHING STATUS Pub Date 3/1/2006 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 98 PRODUCT DETAILS ISBN 9783937572345 TRADE List Price: $60.00 CAD $79.00 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ AFR ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Rodin & BeuysEdited by Pamela Kort and Max Hollein. Essays by Claude Keisch, Helene Pinet, Josephine Gabler and Dieter Koepplin.
Between 1947 and 1964 Joseph Beuys produced a swath of works on paper that, in their style, technique, and formal vocabulary, echo those of Auguste Rodin by way of his teacher and mentor, sculptor, Wilhelm Lehmbruck. Although Beuys's work remains very different from his predecessors', it does take up themes they had pursued, including the idea of the torso as an autonomous, enclosed form and of the fragment as the simplest and most elementary embodiment of immutability. This book sets Beuys's works on paper and sculptures opposite the works on paper and sculptures of Rodin and Lehmbruck, and finds both striking affinities and autonomy.
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FORMAT: Hardcover, 9 x 11.75 in. / 368 pgs / 187 color / 121 b&w / 10 duotone. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $79 ISBN: 9783937572345 PUBLISHER: Richter Verlag AVAILABLE: 3/1/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 98 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Rodin & Beuys Published by Richter Verlag. Edited by Pamela Kort and Max Hollein. Essays by Claude Keisch, Helene Pinet, Josephine Gabler and Dieter Koepplin. Between 1947 and 1964 Joseph Beuys produced a swath of works on paper that, in their style, technique, and formal vocabulary, echo those of Auguste Rodin by way of his teacher and mentor, sculptor, Wilhelm Lehmbruck. Although Beuys's work remains very different from his predecessors', it does take up themes they had pursued, including the idea of the torso as an autonomous, enclosed form and of the fragment as the simplest and most elementary embodiment of immutability. This book sets Beuys's works on paper and sculptures opposite the works on paper and sculptures of Rodin and Lehmbruck, and finds both striking affinities and autonomy.
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