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Paperback, 8.25 x 10.25 in. / 32 pgs / 26 color / 1 duotone. PUBLISHING STATUS
Pub Date 3/1/2006
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Catalog: SPRING 2006 p. 106 PRODUCT DETAILS
ISBN 9783937572338 TRADE
List Price: $25.00 CDN $34.50 AVAILABILITY
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| | | Fred Sandback: Drawings 1968-2000Essay by Gianfranco Verna.
Fred Sandback wanted from the beginning to make sculpture, but sculpture with neither volume nor mass, neither interior nor exterior. For more than half his life he succeeded in that impossible-sounding task, solving its riddle with lines in the form of steel wire and acrylic string. He described spaces, constructed perspectives, and demarcated borders, visible and invisible. The drawings on paper collected here, while closely allied to his exhibition work, were seldom mere drafts or working sketches; they are autonomous and self-confident signs.
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| | | |  | Text by Federica Zanco, Daniel Garza Usabiaga.HATJE CANTZISBN: 9783775743822
USD $60.00 | CAN $79Pub Date: 3/27/2018
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|  | Text by Dieter Schwarz.RICHTER VERLAGISBN: 9783941263680
USD $60.00 | CAN $79Pub Date: 11/30/2014
Active | In stock
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|  | Edited by James Lawrence.STEIDLISBN: 9783869304564
USD $85.00 | CAN $100Pub Date: 11/24/2015
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FORMAT: Paperback, 8.25 x 10.25 in. / 32 pgs / 26 color / 1 duotone.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $34.5
ISBN: 9783937572338
PUBLISHER: Richter Verlag
AVAILABLE: 3/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
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TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 106 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Fred Sandback: Drawings 1968-2000 Published by Richter Verlag.
Essay by Gianfranco Verna. | Fred Sandback wanted from the beginning to make sculpture, but sculpture with neither volume nor mass, neither interior nor exterior. For more than half his life he succeeded in that impossible-sounding task, solving its riddle with lines in the form of steel wire and acrylic string. He described spaces, constructed perspectives, and demarcated borders, visible and invisible. The drawings on paper collected here, while closely allied to his exhibition work, were seldom mere drafts or working sketches; they are autonomous and self-confident signs.
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