| | BOOK FORMAT
Paperback, 8.25 x 10.25 in. / 32 pgs / 26 color / 1 duotone. PUBLISHING STATUS
Pub Date 3/1/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2006 p. 106 PRODUCT DETAILS
ISBN 9783937572338 TRADE
List Price: $25.00 CAD $34.50 AVAILABILITY
Not available | TERRITORY
NA LA ASIA AU/NZ AFR ME | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Fred Sandback: Drawings 1968-2000Essay by Gianfranco Verna.
Fred Sandback wanted from the beginning to make sculpture, but sculpture with neither volume nor mass, neither interior nor exterior. For more than half his life he succeeded in that impossible-sounding task, solving its riddle with lines in the form of steel wire and acrylic string. He described spaces, constructed perspectives, and demarcated borders, visible and invisible. The drawings on paper collected here, while closely allied to his exhibition work, were seldom mere drafts or working sketches; they are autonomous and self-confident signs.
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| | | | |  | Dancing Foxes Press/Fred Sandback ArchiveISBN: 9781954947122
USD $35.00 | CAD $52 UK £ 30Pub Date: 10/22/2024
Active | In stock
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|  | Richter VerlagISBN: 9783941263680
USD $60.00 | CAD $79Pub Date: 11/30/2014
Active | In stock
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|  | SteidlISBN: 9783869304564
USD $85.00 | CAD $100Pub Date: 11/24/2015
Forthcoming
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FORMAT: Paperback, 8.25 x 10.25 in. / 32 pgs / 26 color / 1 duotone.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $34.5
ISBN: 9783937572338
PUBLISHER: Richter Verlag
AVAILABLE: 3/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 106 | PRESS INQUIRIES
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| Fred Sandback: Drawings 1968-2000 Published by Richter Verlag.
Essay by Gianfranco Verna. Fred Sandback wanted from the beginning to make sculpture, but sculpture with neither volume nor mass, neither interior nor exterior. For more than half his life he succeeded in that impossible-sounding task, solving its riddle with lines in the form of steel wire and acrylic string. He described spaces, constructed perspectives, and demarcated borders, visible and invisible. The drawings on paper collected here, while closely allied to his exhibition work, were seldom mere drafts or working sketches; they are autonomous and self-confident signs.
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