| | BOOK FORMAT Paperback, 6 x 8 in. / 176 pgs / 60 bw. PUBLISHING STATUS Pub Date 4/1/2006 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 38 PRODUCT DETAILS ISBN 9783775717052 TRADE List Price: $35.00 CAD $40.00 AVAILABILITY Not available | TERRITORY NA LA | | THE SPRING 2025 ARTBOOK | D.A.P. CATALOG  | Preview our SPRING 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Harald Szeemann: Exhibition MakerBy Hans-Joachim Müller.
A generation of curators and viewers has been inspired by Harald Szeemann's independently organized exhibitions and his emphatic methods of presenting contemporary art. This volume describes the "Szeemann principle," the visions of an enlightened curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and Documenta 5; the great thematic explorations such as "Bachelor Machines"; and his discoveries of young Eastern European scenes. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of an art market that focuses on trends and movements. In the last 10 years of Szeemann's life, he sought the new as avidly as ever, as viewers will note in documentation of his fourth Lyon Biennale, second Kwangju Biennial, both the 1999 and 2001 Venice Biennales, and the first Seville Biennial, which closed two months before his death: it was themed "The Joy of My Dreams."
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FORMAT: Paperback, 6 x 8 in. / 176 pgs / 60 b&w. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $40 ISBN: 9783775717052 PUBLISHER: Hatje Cantz AVAILABLE: 4/1/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2006 Page 38 | PRESS INQUIRIES
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| Harald Szeemann: Exhibition Maker Published by Hatje Cantz. By Hans-Joachim Müller. A generation of curators and viewers has been inspired by Harald Szeemann's independently organized exhibitions and his emphatic methods of presenting contemporary art. This volume describes the "Szeemann principle," the visions of an enlightened curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and Documenta 5; the great thematic explorations such as "Bachelor Machines"; and his discoveries of young Eastern European scenes. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of an art market that focuses on trends and movements. In the last 10 years of Szeemann's life, he sought the new as avidly as ever, as viewers will note in documentation of his fourth Lyon Biennale, second Kwangju Biennial, both the 1999 and 2001 Venice Biennales, and the first Seville Biennial, which closed two months before his death: it was themed "The Joy of My Dreams."
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