| | PUBLISHER St. Ann's PressBOOK FORMAT Clothbound, 9.5 x 11.75 in. / 128 pgs / 59 tritone PUBLISHING STATUS Pub Date 12/2/2001 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2002 PRODUCT DETAILS ISBN 9780967174488 TRADE List Price: $65.00 CAD $75.00 AVAILABILITY Not available | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | ST. ANN'S PRESSJoan Almond: The Past In The PresentEssay by Roberto Tejada. Introduction by Karen Sinsheimer.
Whether in the play of shadows cast on a rock by drying leaves, or in the strength of a woman's crossed forearms covered in marriage tattoos, Joan Almond's photographs maintain an exceptional sobriety of form and treatment. Shot in Morocco, Algeria, India, and Jerusalem, her photographic images focus on family traditions still strong in North Africa and the Middle East but long lost in her native America. Traveling to and working in villages and homes where few photographers have tread, Almond manages to show human beings with remarkable dignity and resilience, despite their sometimes impoverished personal circumstances. This first monograph of Almond's work is printed in tritone to replicate the platinum printing process so integral to the viewing of her photographs.
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FORMAT: Clothbound, 9.5 x 11.75 in. / 128 pgs / 59 tritone LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $75 ISBN: 9780967174488 PUBLISHER: St. Ann's Press AVAILABLE: 12/2/2001 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2002 | PRESS INQUIRIES
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| Joan Almond: The Past In The Present Published by St. Ann's Press. Essay by Roberto Tejada. Introduction by Karen Sinsheimer. Whether in the play of shadows cast on a rock by drying leaves, or in the strength of a woman's crossed forearms covered in marriage tattoos, Joan Almond's photographs maintain an exceptional sobriety of form and treatment. Shot in Morocco, Algeria, India, and Jerusalem, her photographic images focus on family traditions still strong in North Africa and the Middle East but long lost in her native America. Traveling to and working in villages and homes where few photographers have tread, Almond manages to show human beings with remarkable dignity and resilience, despite their sometimes impoverished personal circumstances. This first monograph of Almond's work is printed in tritone to replicate the platinum printing process so integral to the viewing of her photographs.
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