This volume brings together more than a dozen of New York–based artist Arlene Shechet’s (born 1951) most recent sculptures, colorful engrossing assemblages in wood, clay and bronze, include large-scale works and a monumental outdoor piece. Though her works appear effortless and forgiving of imperfections, they are the products of an intuitive and technically fastidious approach, involving casting, painting, firing, carving, stacking, undoing and redoing with no predetermined endpoint.

This exhibition catalog illustrates each work in the show in detail and includes installation images that walk the reader through the exhibition. Utilizing a word that is both verb and a noun, Shechet . . . .go to book page >>

Collecting new paintings and writings by Amsterdam-based American painter Jo Baer (born 1929), Up Close in the Land of the Giants was created as a deliberate sibling to Baer’s 2013 exhibition catalog In the Land of the Giants, which was published on the occasion of the artist’s eponymously titled dual exhibition at the Stedelijk Museum Amsterdam and the Ludwig Museum Cologne.

This new volume echoes the 2013 book in layout and design but offers readers a deeper look into the artist’s own thinking on her paintings and the reasons behind the sources she has chosen to reference in her compositions. The . . . .go to book page >>

Including paintings, sculpture and works on paper, this book documents new works by DC-based color-field painter Sam Gilliam (born 1933). A new interview with the artist brings insight into his life and practice, as well as the experience of making this body of work, which represents an aesthetic shift from Gilliam’s canonical drape” paintings.

Published for the artist’s inaugural 2020 exhibition at Pace Gallery, in advance of the artist’s solo exhibition at the Hirshhorn Museum and Sculpture Garden in spring 2022—which will be Gilliam’s first retrospective in the US in over 15 years—the book also includes new scholarship by Courtney J. . . . .go to book page >>