PUBLISHER DIRECTORY

MASP, Museu de arte de São Paulo

The Museu de Arte de São Paulo (MASP) is a private not-for-profit museum founded in 1947 by business mogul and patron of the arts Assis Chateaubriand (1892–1968), becoming the first modern museum in the country. Chateaubriand invited Italian art dealer and critic Pietro Maria Bardi (1900–1999) to direct MASP, and Lina Bo Bardi (1914–1992) to conceive the architecture and the exhibition design. With the most important collection of European art in the southern hemisphere, MASP’s holdings currently consist of more than 11 thousand artworks, including paintings, sculptures, objects, photographs, videos and pieces of clothing from various periods, from Europe, Africa, Asia and the Americas.


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TITLE ALPHABETICAL INDEX

DJANIRA: PICTURING BRAZIL

MASP

ISBN: 9788531000652
USD $50.00
| CAN $69.95 UK £ 45

Pub Date: 10/22/2019
Active | In stock


MELVIN EDWARDS: LYNCH FRAGMENTS

Edited by Adriano Pedrosa, Rodrigo Moura. Text by Hamid Irbouh, Rebecca Wolff, Renata Bittencourt, Rodrigo Moura.

MASP

ISBN: 9788531000515
USD $49.95
| CAN $69.95 UK £ 40

Pub Date: 10/22/2019
Active | In stock


TARSILA DO AMARAL: CANNIBALIZING MODERNISM

MASP

ISBN: 9788531000706
USD $65.00
| CAN $90 UK £ 57

Pub Date: 10/22/2019
Active | In stock


NEW PUBLICATION

Melvin Edwards: Lynch Fragments

Edited by Adriano Pedrosa, Rodrigo Moura. Text by Hamid Irbouh, Rebecca Wolff, Renata Bittencourt, Rodrigo Moura.

This volume brings together a significant selection of works from the titular series by the New York–based sculptor Melvin Edwards (born 1937), created between 1963 and 2016, comprising more than 50 years of what is considered the artist's central body of work.

Edwards started to produce the Fragments series when he lived in Los Angeles, at a crucial time of the civil rights movement in the United States. The works directly reference the practice of lynching after the abolition of slavery. Denouncing violence against African Americans, Edwards created these steel sculptures as forms between bodies and machines that can also be . . . .go to book page >>

Melvin Edwards: Lynch Fragments

in stock  $49.95


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Melvin Edwards: Lynch Fragments
MASP

Hbk, 7 x 10 in. / 256 pgs / 199 color / 57 bw. | 10/22/2019 | In stock  |   US $49.95


NEW PUBLICATION

Djanira: Picturing Brazil

Edited with text by Adriano Pedrosa, Isabella Rjeille, Rodrigo Moura. Text by Carlos Eduardo Riccioppo, Clarival do Prado Valladares, Flavio de Aquino, Frederico Morais, Kaira M. Cabañas, Lelia Coelho Frota, Luiza Interlenghi, Mário Pedrosa, Marc Berkowitz.

Largely self-taught and coming from a working-class background, Djanira da Motta e Silva (1914–79) emerged on the Brazilian art scene in the 1940s, working in paint, woodcut and engraving to depict everyday life in Brazil, often with religious overtones. Although she developed a prolific career during her lifetime, in recent decades her work has been left aside of the official narratives of Brazilian art history.

This book examines Djanira's fundamental role in the formation of Brazilian visual culture and seeks to reposition her as a key figure in 20th-century art history. Its title speaks to the extraordinary visual and symbolic repertoire . . . .go to book page >>

Djanira: Picturing Brazil

in stock  $50.00


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Djanira: Picturing Brazil
MASP

Hbk, 8 x 10.75 in. / 312 pgs / 206 color / 106 bw. | 10/22/2019 | In stock  |   US $50.00


NEW PUBLICATION

Tarsila do Amaral: Cannibalizing Modernism

Edited with text by Adriano Pedrosa, Fernando Oliva. Text by Amanda Carneiro, Artur Santoro, Carlos Eduardo Riccioppo, Guilherme Giufrida, Irene V. Small, Mari Rodriguez Binnie, Maria Castro, Matheus de Andrade, Michele Bete Petry and Maria Bernardete Ramos Flores, Michele Greet, Paulo Herkenhoff, Renata Bittencourt, Sergio Miceli.

Featuring a tip-on cover images and paper changes throughout, Cannibalizing Modernism is the first comprehensive English-language catalog on the Brazilian painter Tarsila do Amaral (1886–1973), a key figure in Latin American modernism.

After studying with Fernand Léger and André Lhote in Paris, Tarsila—as she is widely known in Brazil—cannibalized modern European references to create a unique style, with the use of caipira (rural Brazilian) colors and representations of local characters and scenes. Much of her work was made in dialogue with two leading modernist thinkers of her time, Mário de Andrade and Oswald de Andrade. Her work also parallels the development . . . .go to book page >>

Tarsila do Amaral: Cannibalizing Modernism

in stock  $65.00


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UPS GROUND IN THE CONTINENTAL U.S.
FOR CONSUMER ONLINE ORDERS

Tarsila do Amaral: Cannibalizing Modernism
MASP

Hbk, 8 x 10.75 in. / 360 pgs / 358 color. | 10/22/2019 | In stock  |   US $65.00


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