ARTIST MONOGRAPHS

Robert Ryman

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


"From the outset, he indicated his preference for white paints and square formats. White, in optics, is not a color as such, but a manifestation of all colors enabled by light. Neutral, soft, inherently accumulative, white offers Ryman the possibility of unifying his surface as a whole, covering layers of other paints but also revealing white's nuances. The shape of the square, like white, is also neutral. With no references to the recognizable environment and free of any associations, it is a perfectly balanced, geometric structure on equal sides. Both the square and the white enabled Ryman to realize his paintings not in the traditional sense of picture or image but as objects in space."
Vesela Sretenovic, excerpted from Robert Ryman: Variations and Improvisations.

     

ACTIVE BACKLIST

Robert Ryman

ACTES SUD/COLLECTION LAMBERT
Text by Stéphane Ibars. Interview by Yvon Lambert.

An affordable introduction to the American abstractionist whose ingenious use of white allowed “other things to become visible”

Flexi, 6.75 x 9.5 in. / 48 pgs / 30 color. | 12/15/2020 | In stock
$22.00


Robert Ryman: At Inverleith House, Royal Botanic Garden, Edinburgh

WALTHER KöNIG/RAUSSMULLER COLLECTION
Edited by Christel Sauer. Text by Urs Raussmüller, Meret Arnold.

Paperback, 8.25 x 11 in. / 126 pgs / 52 color. | 7/1/2007 | Out of stock
$35.00


Robert Ryman: Critical Texts

RIDINGHOUSE
Edited by Vittorio Colaizzi.

Clth, 6 x 8.25 in. / 384 pgs. | 10/29/2008 | In stock
$59.95


  

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Robert Ryman: Variations and Improvisations

THE PHILLIPS COLLECTION
Text by Vesela Sretenovic.

Pbk, 7.5 x 7.5 in. / 32 pgs / 21 color. | 8/30/2010 | Not available
$15.95


Robert RymanRobert Ryman

Published by Actes Sud/Collection Lambert.
Text by Stéphane Ibars. Interview by Yvon Lambert.

The second volume of the Lambert Collection Icons series collects some of the finest works by one of America’s foremost abstract painters, and narrates the creation of his paintings from compositional elements to their “activation” in exhibition spaces.

Robert Ryman (1930-2019) was a giant of minimalist painting. He settled in New York in 1952, initially aspiring to a career as a jazz musician. Alone he discovered art, visiting the city’s myriad museums and galleries, and taught himself to paint. In a career spanning 60 years, Ryman relentlessly pared down the essentials of painting and its emotional possibilities.



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Actes Sud/Collection Lambert

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Flexi, 6.75 x 9.5 in. / 48 pgs / 30 color.

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Catalog: FALL 2020 p. 124   

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ISBN 9782330133313 TRADE
List Price: $22.00 CAD $31.00 GBP £19.00

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Robert Ryman: Variations and ImprovisationsRobert Ryman: Variations and Improvisations

Published by The Phillips Collection.
Text by Vesela Sretenovic.

For over 50 years, Robert Ryman (born 1930) has explored the materiality of paint and the surfaces to which he applies it, in white-on-white paintings that subtly attain the status of painted objects rather than patterned gestures or depictions of further objects. Published on the occasion of the Phillips Collection's Ryman exhibition in Washington, D.C., Robert Ryman: Variations and Improvisations presents approximately 25 small-scale works, all of which are drawn from private collections, and some of which have only rarely been shown in the U.S. An interview with the artist is included.

PUBLISHER
The Phillips Collection

BOOK FORMAT
Paperback, 7.5 x 7.5 in. / 32 pgs / 21 color.

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Out of print

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Catalog: FALL 2010 p. 95   

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ISBN 9780943044354 TRADE
List Price: $15.95 CAD $17.50

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STATUS: Out of print | 00/00/00

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Robert Ryman: Critical TextsRobert Ryman: Critical Texts

Published by Ridinghouse.
Edited by Vittorio Colaizzi.

Through an extremely restricted vocabulary, Robert Ryman became a leading figure on the fringes of Minimalist and Conceptual art. This anthology of essays reviews and charts the evolution of the artist’s critical reception. A comprehensive selection of over 60 essays and exhibition reviews has been collated into one volume, including texts by some of the most influential art historians and critics.

The writings look at Ryman’s work within the context of the 'challenge to painting' in the 1960s, as well as the artist's work in relation to other influential painters in art history.

Drawing upon the words of key contemporary thinkers, an introduction by Vittorio Colaizzi explores the importance of elements of ‘support, colour, brushstroke’ in Ryman's paintings.



PUBLISHER
Ridinghouse

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Clth, 6 x 8.25 in. / 384 pgs.

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Catalog: Publisher Backlist

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ISBN 9781905464098 TRADE
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Robert Ryman: At Inverleith House, Royal Botanic Garden, EdinburghRobert Ryman: At Inverleith House, Royal Botanic Garden, Edinburgh

Published by Walther König/Raussmuller Collection.
Edited by Christel Sauer. Text by Urs Raussmüller, Meret Arnold.

On July 27, 2006, the important American Minimalist painter, Robert Ryman, and curator Urs Raussmüller conducted a public conversation in Edinburgh, discussing in detail the qualities that define Ryman's works and distinguish them from other paintings. The conversations took place in the garden next to Inverleith House--the eighteenth-century estate that now houses an innovative program of temporary exhibitions run by the Royal Botanic Garden--and touched on issues that rarely surface in the discourse on painting, from the feelings that a painting can engender to what the viewers can gain from the contemplation of an artwork. With generous photo documentation of Ryman's exhibition at Inverleith House, as well as the garden talk and other unguarded moments, this book-length conversation is essential fare for all fans of Ryman's work and working philosophy.

PUBLISHER
Walther König/Raussmuller Collection

BOOK FORMAT
Paperback, 8.25 x 11 in. / 126 pgs / 52 color.

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Catalog: FALL 2007 p. 157   

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ISBN 9783905777017 FLAT40
List Price: $35.00 CAD $47.50

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Out of stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Robert Ryman: Works On Paper 1957-1964Robert Ryman: Works On Paper 1957-1964

Published by Peter Blum Edition, New York.
Essay by Peter Blum.

The works in this exhibition catalogue record the time when Robert Ryman, then in his early twenties, was formulating his disciplined approach to painting. On off-white and translucent materials including wallpaper, a circular coffee filter, newsprint and mylar, Ryman drew, tooled, brushed and pressed his marks using a flat table to support the work. His decision to use the square as a consistent format for non-narrative work was set, and while he sporadically used color in these earliest works, he subsequently chose white almost exclusively in the process of eliminating all that was superfluous to a painting.

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BOOK FORMAT
Hardcover, 8 x 10.5 in. / 72 pgs / 31 color / 3 bw.

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Out of stock indefinitely

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Catalog: SPRING 2005 p. 147   

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ISBN 9780935875225 TRADE
List Price: $85.00 CAD $112.50 GBP £75.00

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STATUS: Out of stock indefinitely.

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