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Flexi, 6.75 x 9.5 in. / 48 pgs / 30 color. PUBLISHING STATUS
Pub Date 12/15/2020
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ISBN 9782330133313 TRADE
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| | | Robert RymanText by Stéphane Ibars. Interview by Yvon Lambert.
An affordable introduction to the American abstractionist whose ingenious use of white allowed “other things to become visible” The second volume of the Lambert Collection Icons series collects some of the finest works by one of America’s foremost abstract painters, and narrates the creation of his paintings from compositional elements to their “activation” in exhibition spaces.
Robert Ryman (1930-2019) was a giant of minimalist painting. He settled in New York in 1952, initially aspiring to a career as a jazz musician. Alone he discovered art, visiting the city’s myriad museums and galleries, and taught himself to paint. In a career spanning 60 years, Ryman relentlessly pared down the essentials of painting and its emotional possibilities.
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| | | |  | Edited by Vittorio Colaizzi.RIDINGHOUSEISBN: 9781905464098
USD $59.95 | CAN $75Pub Date: 10/29/2008
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|  | Text by Stéphane Ibars. Interview by Yvon Lambert.ACTES SUD/COLLECTION LAMBERTISBN: 9782330133313
USD $22.00 | CAN $31Pub Date: 12/15/2020
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|  | Edited by Christel Sauer. Text by Urs Raussmüller, Meret Arnold.WALTHER KöNIG/RAUSSMULLER COLLECTIONISBN: 9783905777017
USD $35.00 | CAN $47.5Pub Date: 7/1/2007
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|  | Essay by Peter Blum.PETER BLUM EDITION, NEW YORKISBN: 9780935875225
USD $85.00 | CAN $112.5 UK £ 75Pub Date: 6/15/2004
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FORMAT: Flexi, 6.75 x 9.5 in. / 48 pgs / 30 color.
LIST PRICE: U.S. $22.00
LIST PRICE: CANADA $31
ISBN: 9782330133313
PUBLISHER: Actes Sud/Collection Lambert
AVAILABLE: 12/15/2020
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| Robert Ryman An affordable introduction to the American abstractionist whose ingenious use of white allowed “other things to become visible” Published by Actes Sud/Collection Lambert.
Text by Stéphane Ibars. Interview by Yvon Lambert. | The second volume of the Lambert Collection Icons series collects some of the finest works by one of America’s foremost abstract painters, and narrates the creation of his paintings from compositional elements to their “activation” in exhibition spaces.
Robert Ryman (1930-2019) was a giant of minimalist painting. He settled in New York in 1952, initially aspiring to a career as a jazz musician. Alone he discovered art, visiting the city’s myriad museums and galleries, and taught himself to paint. In a career spanning 60 years, Ryman relentlessly pared down the essentials of painting and its emotional possibilities.
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