Published by Richard Gray Gallery. Text by Theaster Gates, Zachary Cahill.
Documented in this attractively designed slipcased volume, Theaster Gates’ latest work explores his commitment to Chicago and the work of W.E.B. Du Bois
In Every Square Needs a Circle, Theaster Gates (born 1973) offers a rumination on Black economies and empire building, relating to moments from art history and stories of quotidian labor. Produced on the occasion of his first exhibition in his native Chicago in over five years, Every Square Needs a Circle offers a detailed look at the artist’s sculpture, tar paintings, installation and neon work. Gates debuts a multifaceted installation that bridges the work of W.E.B. Du Bois with architectural excerpts from Chicago, placing his interest in the history of objects while expounding on the archives that hold records of Black intelligence.
The book features an introductory poem by Theaster Gates, an essay by Chicago artist Zachary Cahill and 112 color illustrations.
PUBLISHER Richard Gray Gallery
BOOK FORMAT Slip, clth, 9.5 x 12 in. / 144 pgs / 112 color.
PUBLISHING STATUS Pub Date 4/21/2020 Forthcoming
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2020 p. 123
PRODUCT DETAILS ISBN 9780996454049TRADE List Price: $65.00 CDN $92.00 GBP £57.00
AVAILABILITY Awaiting stock
STATUS: Forthcoming | 4/21/2020
This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com
Published by White Cube. Edited by Honey Luard. Text by Bill Brown, Fred Moten, Jacqueline Terrassa.
Theaster Gates (born 1973) is an artist, curator and urban activist whose work aims to galvanize communities and act as a catalyst for social change. For My Labor Is My Protest, a fall 2012 show at London’s White Cube, Gates created a multi-faceted installation that investigated themes of race and history through sculpture, installation, performance and two-dimensional works exhibited both inside and outside of the gallery. In “Raising Goliath,” Gates used theatrical pulleys to suspend a classic red fire-truck from the ceiling of the gallery, counterbalancing it with a huge metal container, housing hundreds of leatherbound issues of African-American magazines such as Jet and Ebony. For “My Labor Is My Protest,” he parked a yellow fire truck at the entrance to the gallery and partially covered it with tar. Also included in the show and accompanying catalogue is documentation of The Johnson Library, a library on black American culture installed at the gallery.
Published by Walther König, Köln. Foreword by Carolyn Christov-Bakargiev, Madeleine Grynsztejn. Text by Michael Darling, Theaster Gates, Matthew Jesse Jackson, John Preus. Conversation with Carolyn Christov-Bakargiev.
12 Ballads for Huguenot House chronicles a project by American installation artist Theaster Gates (born 1973), in which he united two disused buildings--one in Chicago and the other in Kassel, Germany--by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by migrant workers, as were so many of the houses in Gates’ own neighborhood in Chicago, and today is in a state of disrepair. Gates therefore proposed an architectural exchange, transporting materials from a dilapidated building in Chicago to renovate Huguenot House, while reusing materials from Huguenot House to reconstruct the Chicago building.
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Theaster Gates: My Labor Is My Protest
Theaster Gates: 12 Ballads for Hugenot House
