My Cart
Gift Certificates

ARTBOOK BLOG

RECENT POSTS

DATE 6/1/2026

Pride Month Staff Picks 2026

DATE 5/21/2026

Join Artbook | D.A.P. & DelMonico Books at MSA Forward 2026

DATE 5/19/2026

High power, low tech activism from lesbian collective fierce pussy

DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/17/2026

Artbook @ MoMA PS1 Bookstore presents the launch of Ben Thorp Brown's 'Cura's Garden'

DATE 5/13/2026

How-dee! ‘The Shithole Opry Collector’s Guide’ is here

DATE 5/11/2026

From solar furnaces to radio telescope control panels: Soviet Scientific Institutes

DATE 5/9/2026

Artbook @ MoMA PS1 Bookstore presents Kembra Pfahler in conversation with Michael Imperioli

DATE 5/9/2026

Join us for the LA Art Book Fair 2026!

DATE 5/7/2026

The influence of Henri Matisse’s “Femme au chapeau”

DATE 5/7/2026

Join Artbook | D.A.P. at the 2026 ICP Photobook Fest

DATE 5/6/2026

Now it can be told: The true story of the Society for Indecency to Naked Animals

DATE 5/3/2026

Craftsmanship, creativity, change: 'Fashioning Chinese Women' captures twentieth-century flux


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 10/19/2012

'Tokyo 1955-1970' Previewed in 'W' Magazine

The November issue of W magazine devotes a full page to The Museum of Modern Art's forthcoming exhibition catalog, Tokyo 1955-1970: A New Avant Garde.

'Tokyo 1955-1970' Previewed in 'W' Magazine

Fan Zhong writes, "In 1964, the same year Bob Dylan released 'The Times They Are A-Changin,' Tokyo was having its own cultural accelerator pinned to the floor. Tokyo 1955-1970: A New Avant Garde, opening November 18 at New York's Museum of Modern Art (through Februrary 25, 2013) looks back at the multidisciplinary art that emerged during the city's tumultuous postwar era. A new artistic language was fomenting in the cultural chaos: from the work of Yoko Ono to the gritty photography of Moriyama Daido to the radical advances made by its architects, designers, and filmmakers. 'In less than 20 years, Japan went from complete devastation to having the world's second largest economy,' says Doryun Chong, the exhibition's organizer. 'That's a jarring experience. It was very confusing - but also exhilerating for artists.' There was no establishment - few galleries and no art market to speak of - so artists pollinated across disciplines and threw themselves into the fray, at times literally. 'They were really using their bodies for performances,' Chong says. 'That was where much of the avant-garde energy was.' The art that emerged reflected its place and time: 'The terms that we usually use, like figurative or abstract,' Chong says, 'don't even apply here.'
'Tokyo 1955-1970' Previewed in 'W' Magazine
'Tokyo 1955-1970' Previewed in 'W' Magazine
'Tokyo 1955-1970' Previewed in 'W' Magazine
'Tokyo 1955-1970' Previewed in 'W' Magazine
'Tokyo 1955-1970' Previewed in 'W' Magazine
'Tokyo 1955-1970' Previewed in 'W' Magazine
'Tokyo 1955-1970' Previewed in 'W' Magazine

Tokyo 1955-1970

Tokyo 1955-1970

The Museum of Modern Art, New York
Hbk, 9 x 10.5 in. / 264 pgs / 215 color.