CORY REYNOLDS | DATE 12/7/2016

Michael Fried & James Welling Launch 'Promesse du Bonheur' at 192 Books

Join 192 Books TONIGHT to celebrate the publication of Promesse du Bonheur: Poems by Michael Fried, Photographs by James Welling, published by David Zwirner Books / Nonsite. At 7PM, Fried and Welling will appear in conversation. Reading to follow.

MICHAEL FRIED is as much a poet as he is a critic. His experiences among artworks and luminaries of the art world have resulted in a canonized body of criticism, but they have also provided the raw material for many of the poems in his newest collection, Promesse du Bonheur.

Fried’s passion, lyricism, and humor, which have been lauded by Allen Grossman and J. M. Coetzee, are on display as he explores the people and the objects that have moved him—great minds and great works of art. Along the way, Fried begins to reveal himself to the reader: he is at once a student, unsure of himself; a young man, ambitious and in love; a committed champion of artists; a world-class intellectual among intellectual peers; and a poet, transmuting the world around him. Here we find the poet-critic at his most complete.

Beyond presenting new works, Promesse du Bonheur breaks ground for Fried by combining the eighty-two poems—a mix of lyrical and prose poetry—with over thirty photographs, most of them made, all of them selected, by renowned American photographer James Welling. More often than not, the photographs stand in oblique relation to the poems, as complementary pieces of a mesmerizing whole.

Written under the epigraph of Ralph Waldo Emerson’s urging in “Self-Reliance”—“Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events”—the poems engage diverse subjects: from the high modernist art world of the 1960s to a major poet’s tragic loss of memory, from exemplary works such as Edgar Degas’s The Fallen Jockey, Heinrich von Kleist’s Prince of Homburg, and Adolf Menzel’s drawings, from the lives of figures such as Edouard Manet, Anna Akhmatova, Jacques Derrida, Stanley Cavell, Iris Murdoch, Ian Hamilton, and John Harbison, to erotic love, late fatherhood, the death of parents and friends, and the onset of age. Promesse du Bonheuris a uniquely vivid and compelling volume, at once a collection of wide-ranging yet intimately related poems and a brilliant photobook, that aims to hold the reader/viewer in its spell from first page to last.

MICHAEL FRIED is an American poet, art critic, art historian, and literary scholar. His many books include Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1980), Art and Objecthood: Essays and Reviews (1998), and The Moment of Caravaggio (2010). Previous books of poems are Powers (1973), To the Center of the Earth (1994), and The Next Bend in the Road. (2004). Fried is the J. R. Herbert Boone Chair in the Humanities at Johns Hopkins University.

The work of JAMES WELLING (b. 1951, Hartford, Connecticut) centers on an exploration of photography and uses a range of technologies and processes, including traditional gelatin silver prints, chromogenic prints, Polaroids, digital pigment prints, photograms, and darkroom experiments. Operating between representation and abstraction, he is widely known for his groundbreaking photographs of Philip Johnson’s Glass House, where his use of filters enabled his project to become “a laboratory for ideas about transparency, receptivity, and color.” In 2014, he was awarded the prestigious Infnity Award given by the International Center of Photography, New York.

nonsite.org is an online, open access, peer-reviewed quarterly journal of scholarship in the arts and humanities. It is affiliated with Emory College of Arts and Sciences of Emory University.

192 Books
Tuesday, December 13: 7PM
192 Tenth Avenue
New York, NY 10011
Phone: 212 255 4022