| | PUBLISHER
Mind the Gap/Arab Image FoundationBOOK FORMAT
Clothbound, 6.5 x 8.5 in. / 128 pgs / 13 color / 142 duotone. PUBLISHING STATUS
Pub Date 8/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 88 PRODUCT DETAILS
ISBN 9789953003238 TRADE
List Price: $40.00 CAD $50.00 AVAILABILITY
Not available | TERRITORY
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| | | MIND THE GAP/ARAB IMAGE FOUNDATIONHashem El Madani: Studio PracticesEdited by Lisa Le Feuvre and Akram Zaatari. Essay by Stephen Wright.
Long stored in files or dumped in dusty basements, the spontaneous, seemingly ephemeral portraits taken by working studio photographers have been getting a second look over the past 20 years. Such rediscovered work revealed modern American masters of the vernacular in figures like Mike Disfarmer and E.J. Bellocq. Now the photographs of Lebanese photographer Hashem El Madani are set to be discovered. Over a career of more than 50 years (and counting) of work in Saida, Lebanon, El Madani has documented a people who have suffered great social upheaval but who, when posing for his camera, felt free and safe to be who they wanted. The subjects of his photographs exude dignity, strength, good humor and individuality. The conventions of studio photography remain static, but over time, the parade of faces who passed in front of El Madani's lens would change with the times, forming a shifting collective portrait of a Middle Eastern town in the last half of the twentieth century. “I would have liked to have photographed all the people of Saida,” he said, “because that is where I live.”
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FORMAT: Clothbound, 6.5 x 8.5 in. / 128 pgs / 13 color / 142 duotone.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9789953003238
PUBLISHER: Mind the Gap/Arab Image Foundation
AVAILABLE: 8/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: *not available | D.A.P. CATALOG: FALL 2005 Page 88 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Hashem El Madani: Studio Practices Published by Mind the Gap/Arab Image Foundation.
Edited by Lisa Le Feuvre and Akram Zaatari. Essay by Stephen Wright. Long stored in files or dumped in dusty basements, the spontaneous, seemingly ephemeral portraits taken by working studio photographers have been getting a second look over the past 20 years. Such rediscovered work revealed modern American masters of the vernacular in figures like Mike Disfarmer and E.J. Bellocq. Now the photographs of Lebanese photographer Hashem El Madani are set to be discovered. Over a career of more than 50 years (and counting) of work in Saida, Lebanon, El Madani has documented a people who have suffered great social upheaval but who, when posing for his camera, felt free and safe to be who they wanted. The subjects of his photographs exude dignity, strength, good humor and individuality. The conventions of studio photography remain static, but over time, the parade of faces who passed in front of El Madani's lens would change with the times, forming a shifting collective portrait of a Middle Eastern town in the last half of the twentieth century. “I would have liked to have photographed all the people of Saida,” he said, “because that is where I live.”
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