| | PUBLISHER
Blue KingfisherBOOK FORMAT
Paperback, 9 x 10.75 in. / 161 pgs / 50 color. PUBLISHING STATUS
Pub Date 5/1/2007
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 134 PRODUCT DETAILS
ISBN 9789889926403 TRADE
List Price: $40.00 CAD $50.00 AVAILABILITY
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NA LA ASIA AU/NZ | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | BLUE KINGFISHERWang YinEdited by Xie Wenyue, Wang Xiaoyu. Interviews by Wang Yin, Guo Xiaoli, Min'an Wang, Jiaxin Wang.
The contemporary Chinese painter, Wang Yin, makes evocative original artworks that borrow from early Chinese oil painting, as well as the Western cannon. He looks back upon, mimics and copies classic paintings, then inscribes his own marks, thereby stamping his own imprint on key representative, art historical, material or conceptual works. "My recent works, as always, are lacking in visual unity. They might seem original, but they exist, for the most part, outside of time--in particular without reference to the present. They give the impression of being worn out, coarse and messy, but they are neither assemblages of bric-a-brac, nor arbitrary haphazard compositions… What has always appealed to me in painting is simply the possibility of capturing a perception of painting when I am working, perception shaped by my life and my conception of painting."
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FORMAT: Paperback, 9 x 10.75 in. / 161 pgs / 50 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9789889926403
PUBLISHER: Blue Kingfisher
AVAILABLE: 5/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ | D.A.P. CATALOG: SPRING 2007 Page 134 | PRESS INQUIRIES
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| Wang Yin Published by Blue Kingfisher.
Edited by Xie Wenyue, Wang Xiaoyu. Interviews by Wang Yin, Guo Xiaoli, Min'an Wang, Jiaxin Wang. The contemporary Chinese painter, Wang Yin, makes evocative original artworks that borrow from early Chinese oil painting, as well as the Western cannon. He looks back upon, mimics and copies classic paintings, then inscribes his own marks, thereby stamping his own imprint on key representative, art historical, material or conceptual works. "My recent works, as always, are lacking in visual unity. They might seem original, but they exist, for the most part, outside of time--in particular without reference to the present. They give the impression of being worn out, coarse and messy, but they are neither assemblages of bric-a-brac, nor arbitrary haphazard compositions… What has always appealed to me in painting is simply the possibility of capturing a perception of painting when I am working, perception shaped by my life and my conception of painting."
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