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Blue KingfisherBOOK FORMAT
Hardcover, 13.25 x 9.75 in. / 92 pgs / 50 color. PUBLISHING STATUS
Pub Date 8/15/2006
No longer our product DISTRIBUTION
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Catalog: FALL 2006 p. 131 PRODUCT DETAILS
ISBN 9789889868000 TRADE
List Price: $25.00 CDN $30.00 AVAILABILITY
Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | BLUE KINGFISHERSheng Qi: ConfidentialEssays by Huang Du and Julie M. Segraves.
No informed conversation about the development of Chinese performance art can bypass Sheng Qi, whose work remains unusual, brave and adventurous. By 1986 he had already thrown himself into a pioneering practice, working in symbolic locations including Peking University (1986), the Yuanmingyuan (1987) and on the Great Wall (1988). Those seminal events were important contributions to a young field, and looking back at their documentation, readers will feel Sheng Qi's passion for art and for the intense cultural transgression his works represented in their time. More recently, he has begun with portraits of children in a rigorous academic painting style, and through their "destruction" and "revision," constructed a painting language that explores the aesthetics of violence and criticism, and their commonalities.
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|  | By Kynaston McShine. Text by Lucy Lippard, et al.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870709760
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FORMAT: Hardcover, 13.25 x 9.75 in. / 92 pgs / 50 color.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $30
ISBN: 9789889868000
PUBLISHER: Blue Kingfisher
AVAILABLE: 8/15/2006
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RETAILER DISC: TRADE
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| Sheng Qi: Confidential Published by Blue Kingfisher.
Essays by Huang Du and Julie M. Segraves. | No informed conversation about the development of Chinese performance art can bypass Sheng Qi, whose work remains unusual, brave and adventurous. By 1986 he had already thrown himself into a pioneering practice, working in symbolic locations including Peking University (1986), the Yuanmingyuan (1987) and on the Great Wall (1988). Those seminal events were important contributions to a young field, and looking back at their documentation, readers will feel Sheng Qi's passion for art and for the intense cultural transgression his works represented in their time. More recently, he has begun with portraits of children in a rigorous academic painting style, and through their "destruction" and "revision," constructed a painting language that explores the aesthetics of violence and criticism, and their commonalities.
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