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DARK ENTRIES EDITIONS
Daniel Case: Outside Sex
Text by Drew Daniel, Brontez Purnell, Peter Berlin.
Documenting the landscape and sexscape of popular spots for gay cruising in America
The American artist Daniel Case (born 1979) works in the mediums of digital and film photography and bookmaking. He practices documentary landscape and unconventional portrait photography that often involves surveillance, documentation and the archiving of queer people and spaces through intimate examinations of interiors and site-specific landscapes. Daniel Case: Outside Sex provides exactly what the title promises: candid photographs of gay men having sex outdoors in cruising grounds scattered throughout California. Says Case, "The energy and history of each carved-out space felt like spiritual ruins. I wanted to evoke the beauty and magic of these spaces, the history of what's formed them and the reality that like ruins they are fading, but they stand as monuments to their purpose and the intimate experiences shared."
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FORMAT: Hbk, 10 x 8 in. / 108 pgs / 57 color. LIST PRICE: U.S. $49.99 LIST PRICE: CANADA $74.95 GBP £42.00 ISBN: 9798985170429 PUBLISHER: Dark Entries Editions AVAILABLE: 4/29/2025 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by Dark Entries Editions. Text by Drew Daniel, Brontez Purnell, Peter Berlin.
Documenting the landscape and sexscape of popular spots for gay cruising in America
The American artist Daniel Case (born 1979) works in the mediums of digital and film photography and bookmaking. He practices documentary landscape and unconventional portrait photography that often involves surveillance, documentation and the archiving of queer people and spaces through intimate examinations of interiors and site-specific landscapes.
Daniel Case: Outside Sex provides exactly what the title promises: candid photographs of gay men having sex outdoors in cruising grounds scattered throughout California. Says Case, "The energy and history of each carved-out space felt like spiritual ruins. I wanted to evoke the beauty and magic of these spaces, the history of what's formed them and the reality that like ruins they are fading, but they stand as monuments to their purpose and the intimate experiences shared."
