| | PUBLISHER SchunckBOOK FORMAT Clth, 8 x 10 in. / 180 pgs / 72 color / 70 bw. PUBLISHING STATUS Pub Date 8/31/2012 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2012 p. 169 PRODUCT DETAILS ISBN 9789490624224 TRADE List Price: $39.95 CAD $50.00 AVAILABILITY Not available | TERRITORY *not available | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | SCHUNCKHelen Verhoeven: Part PrettyEdited by Helen Verhoeven, Vera Rammelmeyer. Text by Tom Morton. Interview by Maria Barnas.
With her monumental, epic paintings--including the cycles Event (2008), Half After (2009), The Thingly Character (2010) and Stage Disasters (2012)--Helen Verhoeven’s work appears to examine the collective memory of ceremonial gatherings. She paints a burlesque world, reminiscent of the Weimar period, without social norms and in which taboos are explored. This is the first monograph on her work.
Featured image is a 2010 painting by Helen Verhoeven, reproduced in Part Pretty. |
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FORMAT: Clth, 8 x 10 in. / 180 pgs / 72 color / 70 b&w. LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9789490624224 PUBLISHER: Schunck AVAILABLE: 8/31/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: *not available | D.A.P. CATALOG: FALL 2012 Page 169 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Helen Verhoeven: Part Pretty Published by Schunck. Edited by Helen Verhoeven, Vera Rammelmeyer. Text by Tom Morton. Interview by Maria Barnas. With her monumental, epic paintings--including the cycles Event (2008), Half After (2009), The Thingly Character (2010) and Stage Disasters (2012)--Helen Verhoeven’s work appears to examine the collective memory of ceremonial gatherings. She paints a burlesque world, reminiscent of the Weimar period, without social norms and in which taboos are explored. This is the first monograph on her work.
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