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Clth, 9.75 x 12.5 in. / 220 pgs / 190 color. PUBLISHING STATUS
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| | | Hilma af Klint: Spiritualistic Drawings 1896–1905Catalogue Raisonné Volume IForeword by Daniel Birnbaum, Kurt Almqvist.
 How af Klint's early drawings rose from spiritual practices conducted with friends: the first volume in a beautiful new catalogue raisonnéThe drawings in this first volume of a new catalogue raisonné represent an intense ten-year period of Hilma af Klint’s (1862-1944) life that would lay the foundation for her later achievements. In 1896, af Klint and four other women formed The Five, a group steeped in the spiritualist beliefs permeating Europe at that time, including theosophy, Rosicrucianism and other strains of liberal religious thought. From 1896 to 1907, The Five engaged in a daily systematic method of spiritual experimentation. During séances, Hilma af Klint drew automatic spiritual sketches based on the messages that the medium (not always the same member) communicated from the spirits the group summoned. The elaborate system of symbols, geometry and biological imagery that characterize her work all find their origin during this period.
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FORMAT: Clth, 9.75 x 12.5 in. / 220 pgs / 190 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $70
ISBN: 9789189069237
PUBLISHER: Bokförlaget Stolpe
AVAILABLE: 3/9/2021
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| Hilma af Klint: Spiritualistic Drawings 1896–1905
Catalogue Raisonné Volume I How af Klint's early drawings rose from spiritual practices conducted with friends: the first volume in a beautiful new catalogue raisonné Published by Bokförlaget Stolpe.
Foreword by Daniel Birnbaum, Kurt Almqvist. | The drawings in this first volume of a new catalogue raisonné represent an intense ten-year period of Hilma af Klint’s (1862-1944) life that would lay the foundation for her later achievements. In 1896, af Klint and four other women formed The Five, a group steeped in the spiritualist beliefs permeating Europe at that time, including theosophy, Rosicrucianism and other strains of liberal religious thought. From 1896 to 1907, The Five engaged in a daily systematic method of spiritual experimentation. During séances, Hilma af Klint drew automatic spiritual sketches based on the messages that the medium (not always the same member) communicated from the spirits the group summoned. The elaborate system of symbols, geometry and biological imagery that characterize her work all find their origin during this period.
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