| | BOOK FORMAT
Paperback, 7 x 9.5 in. / 80 pgs / 100 color. PUBLISHING STATUS
Pub Date 8/1/2008
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2008 p. 146 PRODUCT DETAILS
ISBN 9789071655227 TRADE
List Price: $29.95 CAD $39.95 AVAILABILITY
Not available | TERRITORY
NA LA ME | | THE SPRING 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Ni Haifeng: The Return of the ShredsEdited by Kitty Zijlmans, Ni Haifeng. Text by Marianne Brouwer, Kitty Zijlmans.
Using materials like textile "shreds," cardboard boxes, LCD screens, chili pepper, tea, porcelain shards and wooden crates, Amsterdam based Chinese artist Ni Haifeng creates powerful, poetic installations that examine issues like cultural globalization. In this catalogue, he questions what defines cultural identity--what power art still has--in our globalized world.
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| | | | OF RELATED INTEREST |  | Hatje CantzISBN: 9783775712200
USD $24.95 | CAD $27.5Pub Date: 5/2/2003
Out of print | Not available
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|  | Blue KingfisherISBN: 9789889726201
USD $26.00 | CAD $30Pub Date: 3/15/2005
No longer our product | Not available
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FORMAT: Paperback, 7 x 9.5 in. / 80 pgs / 100 color.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $39.95
ISBN: 9789071655227
PUBLISHER: Valiz/Museum De Lakenhal, Leiden
AVAILABLE: 8/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ME | D.A.P. CATALOG: FALL 2008 Page 146 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Ni Haifeng: The Return of the Shreds Published by Valiz/Museum De Lakenhal, Leiden.
Edited by Kitty Zijlmans, Ni Haifeng. Text by Marianne Brouwer, Kitty Zijlmans. Using materials like textile "shreds," cardboard boxes, LCD screens, chili pepper, tea, porcelain shards and wooden crates, Amsterdam based Chinese artist Ni Haifeng creates powerful, poetic installations that examine issues like cultural globalization. In this catalogue, he questions what defines cultural identity--what power art still has--in our globalized world.
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