| | BOOK FORMAT
Flexi, 6.5 x 9.5 in. / 192 pgs / 144 color / 48 bw. PUBLISHING STATUS
Pub Date 5/21/2019
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: 2019 01 SPRING WEB PRODUCT DETAILS
ISBN 9788867493517 TRADE
List Price: $32.00 CAD $45.00 AVAILABILITY
Not available | TERRITORY
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| | | Dirk Zoete: To Be Determined. According to the Situation
Drawing forms the basis for all of Belgian artist Dirk Zoete’s (born 1969) work. Starting from drawings, he makes models, sculptures, architectural constructions, photos, films and drawings. Zoete presents his conceptual models concerning man and the world on platforms and in stage sets that form part of his work. He directs variable scenes with a slightly absurd company of characters, animals and their props. In both his drawings and his spatial works, the emphasis is on the surface: the figures are flat and schematic and populate frontal spaces. They function as signs in Zoete’s playful artistic language.
The formal language of Zoete’s spaces and characters is reminiscent of the revolutionary stage sets and costumes of the German Bauhaus and Russian Constructivism, though his figures display a more human, almost melancholy nature.
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FORMAT: Flexi, 6.5 x 9.5 in. / 192 pgs / 144 color / 48 b&w.
LIST PRICE: U.S. $32.00
LIST PRICE: CANADA $45
ISBN: 9788867493517
PUBLISHER: Mousse Publishing
AVAILABLE: 5/21/2019
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Dirk Zoete: To Be Determined. According to the Situation Published by Mousse Publishing. Drawing forms the basis for all of Belgian artist Dirk Zoete’s (born 1969) work. Starting from drawings, he makes models, sculptures, architectural constructions, photos, films and drawings. Zoete presents his conceptual models concerning man and the world on platforms and in stage sets that form part of his work. He directs variable scenes with a slightly absurd company of characters, animals and their props. In both his drawings and his spatial works, the emphasis is on the surface: the figures are flat and schematic and populate frontal spaces. They function as signs in Zoete’s playful artistic language.
The formal language of Zoete’s spaces and characters is reminiscent of the revolutionary stage sets and costumes of the German Bauhaus and Russian Constructivism, though his figures display a more human, almost melancholy nature.
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