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| |   |   | Tom Wesselmann: La Promesse du BonheurEdited with text by Chris Sharp. Text by Sabrina Tarasoff.
 Published on the occasion of the exhibition Tom Wesselmann: La Promesse du Bonheur, held at the Villa Paloma, Nouveau Musée National de Monaco, this catalogue is a critical overview of a key American pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze and strategies of indeterminacy.
Every aspect of the book’s design, including its more than 170 color illustrations, is conceived to reflect on the artist’s haptic, indexical painterly approach and his oversize scale system.
"Bedroom Painting #4" (1968) is reproduced from 'Tom Wesselmann: La Promesse du Bonheur.'PRAISE AND REVIEWSL'Officiel Joseph Akel The works of late American Pop artist Tom Wesselmann, known for his provocative, large-scale paintings featuring erotically charged subjects, are brought together in a sleek tome. |
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| | | |  | MOUSSE PUBLISHINGISBN: 9788867493449 USD $63.00 | CAN $90Pub Date: 3/19/2019 Active | In stock
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FORMAT: Pbk, 9.5 x 12.5 in. / 228 pgs / 180 color / 48 b&w. LIST PRICE: U.S. $63.00 LIST PRICE: CANADA $90 ISBN: 9788867493449 PUBLISHER: Mousse Publishing AVAILABLE: 3/19/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2019 Page 128 | PRESS INQUIRIES
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| Tom Wesselmann: La Promesse du Bonheur Published by Mousse Publishing. Edited with text by Chris Sharp. Text by Sabrina Tarasoff. Published on the occasion of the exhibition Tom Wesselmann: La Promesse du Bonheur, held at the Villa Paloma, Nouveau Musée National de Monaco, this catalogue is a critical overview of a key American pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze and strategies of indeterminacy.
Every aspect of the book’s design, including its more than 170 color illustrations, is conceived to reflect on the artist’s haptic, indexical painterly approach and his oversize scale system.
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