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Clth, 11.5 x 12.5 in. / 216 pgs / 150 color. PUBLISHING STATUS
Pub Date 9/25/2018
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ISBN 9788862086035 TRADE
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In stock | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | William Coupon: PortraitsForeword by Walter Isaacson. Text by Anthony Bannon.
This long-overdue monograph presents an astonishing panorama of portraits by American photographer William Coupon (born 1952). With his camera, the photographer was given unprecedented access to artists, musicians and politicians such as Elie Wiesel, Mick Jagger, Jean-Michel Basquiat, George Harrison, Miles Davis with his daughter, David Byrne and many others. He photographed these people against a backdrop of hand-painted Belgian linen, side-lit by a single fixture, with a medium-format camera, producing painterly portraits that recall Rembrandt and Holbein. Coupon has diverged little from this method over the years, whether shooting the president in the Oval Office or indigenous people. Looking through these images , we see the range of personalities and faces, known and unknown, that has caught Coupon's eye from 1978 to the present.
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FORMAT: Clth, 11.5 x 12.5 in. / 216 pgs / 150 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $79
ISBN: 9788862086035
PUBLISHER: Damiani
AVAILABLE: 9/25/2018
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| William Coupon: Portraits Published by Damiani.
Foreword by Walter Isaacson. Text by Anthony Bannon. | This long-overdue monograph presents an astonishing panorama of portraits by American photographer William Coupon (born 1952). With his camera, the photographer was given unprecedented access to artists, musicians and politicians such as Elie Wiesel, Mick Jagger, Jean-Michel Basquiat, George Harrison, Miles Davis with his daughter, David Byrne and many others. He photographed these people against a backdrop of hand-painted Belgian linen, side-lit by a single fixture, with a medium-format camera, producing painterly portraits that recall Rembrandt and Holbein. Coupon has diverged little from this method over the years, whether shooting the president in the Oval Office or indigenous people. Looking through these images , we see the range of personalities and faces, known and unknown, that has caught Coupon's eye from 1978 to the present.
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