Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Eric Boman (born 1946) embarked on a career in fashion photography in the early 1970s, working for British Vogue, Harper’s & Queen, and The World of Interiors in London, and Marie-Claire in Paris. The body of personal work gathered in this volume has remained unseen for over 45 years, stored away as 35mm slides. Most of the photographs are devoid of people, in contrast to Boman’s professional work, which almost always has involved some form of portraiture. Here, the photographs are juxtaposed for the visual dialogue that emerges: a picture of a glass merchant in Morocco faces a nearly identical one of a brass merchant in Tunisia; an image of a manicured Swedish topiary faces a lush rainforest around the corner from Boman’s house; and a sculptural memorial to a fallen soldier in Denmark faces a desert island in the Caribbean. Beautifully designed in collaboration with renowned book designer Miko McGinty, this book is a tribute to a well-traveled eye. Edition of 1,000 copies.
"Storm, Venice, Italy, 1980" is reproduced from 'Eric Boman: A Wandering Eye.'
in stock $45.00
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FORMAT: Hbk, 9.25 x 6.75 in. / 128 pgs / 120 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9788862084871 PUBLISHER: Damiani AVAILABLE: 9/27/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Eric Boman (born 1946) embarked on a career in fashion photography in the early 1970s, working for British Vogue, Harper’s & Queen, and The World of Interiors in London, and Marie-Claire in Paris. The body of personal work gathered in this volume has remained unseen for over 45 years, stored away as 35mm slides. Most of the photographs are devoid of people, in contrast to Boman’s professional work, which almost always has involved some form of portraiture. Here, the photographs are juxtaposed for the visual dialogue that emerges: a picture of a glass merchant in Morocco faces a nearly identical one of a brass merchant in Tunisia; an image of a manicured Swedish topiary faces a lush rainforest around the corner from Boman’s house; and a sculptural memorial to a fallen soldier in Denmark faces a desert island in the Caribbean. Beautifully designed in collaboration with renowned book designer Miko McGinty, this book is a tribute to a well-traveled eye. Edition of 1,000 copies.
