| | BOOK FORMAT Hardback, 9.5 x 11 in. / 232 pgs / 250 color / 65 bw. PUBLISHING STATUS Pub Date 3/1/2008 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 153 PRODUCT DETAILS ISBN 9788862080019 TRADE List Price: $50.00 CDN $60.00 AVAILABILITY Not available | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Ma LiumingPerformances, Paintings, SculpturesEdited by Eleonora Battiston. Texts by Yuko Hasegawa, Serge Lenczner and Ma Liuming.
Along with fellow performance artist Zhang Huan, Ma Liuming is widely considered one of China’s most innovative artists. He took up performance art after the 1989 Tiananmen Square protests in Beijing, but was not able to show his work publicly until many years later. By the late 1990s, he had attracted international attention and begun showing abroad. Born in 1969, Liuming grew up in a China increasingly open to the rest of the world; in 1993, he had a formative studio visit with British artists Gilbert & George, who were in Beijing for an exhibition. Androgynous and confrontational, Liuming is now best known for his radical performances as the lipsticked female alter ego, Fen. For example, in “Fen Ma Liuming in Lyon (France),” first performed in 2001, he drugs himself with sleeping pills and sits virtually motionless, while the audience is invited onstage. Audience activity varies from location to location, but usually at least a few take their own clothing off and join him. With an essay by writer and curator Eleonora Battiston, who specializes in Chinese contemporary art, this volume is a rare contextualization of Luiming’s daring oeuvre.
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| | | | OF RELATED INTEREST |  | Foreword by Vishakha N. Desai. Text by Melissa Chiu, Kong Bu, Eleanor Heartney.CHARTA / ASIA SOCIETYISBN: 9788881586417 USD $65.00 | CAN $75Pub Date: 10/15/2007 No longer our product | Not available
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|  | By Thomas J. Berghuis.BLUE KINGFISHERISBN: 9789889926595 USD $40.00 | CAN $50Pub Date: 7/1/2007 No longer our product | Not available
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| ART BOOKS & MUSEUM EXHIBITION CATALOGS: FORTHCOMING AND RECENT RELEASES |  | THE MUSEUM OF MODERN ART, NEW YORKISBN: 9781633451070 USD $75.00 | CAN $105Pub Date: 3/23/2021 Forthcoming
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|  | Text by Emanuele Coccia, Gilda Williams, Michio Hayashi, Philippe Costamagna. Anthology by Alberto Manguel.FONDATION CARTIER POUR L'ART CONTEMPORAIN, PARISISBN: 9782869251595 USD $65.00 | CAN $91Pub Date: 7/6/2021 Forthcoming
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|  | Edited by Susan Behrends Frank, Kenneth Brummel. Essays by Patricia Favero, Marilyn McCully, Eduard Vallès, Sandra Webster-Cook.DELMONICO BOOKS/ART GALLERY OF ONTARIO/THE PHILLIPS COLLECTIONISBN: 9781942884927 USD $50.00 | CAN $70 UK £ 44Pub Date: 7/13/2021 Forthcoming
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|  | Text by Maria Vittoria Marini Clarelli, Claudio Crescentini, Federica Pirani, Arianna Angelelli, Daniela Vasta.SILVANA EDITORIALEISBN: 9788836647200 USD $35.00 | CAN $49Pub Date: 3/30/2021 Forthcoming
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FORMAT: Hardback, 9.5 x 11 in. / 232 pgs / 250 color / 65 b&w. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $60 ISBN: 9788862080019 PUBLISHER: Damiani AVAILABLE: 3/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2008 Page 153 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Ma Liuming Performances, Paintings, Sculptures Published by Damiani. Edited by Eleonora Battiston. Texts by Yuko Hasegawa, Serge Lenczner and Ma Liuming. | Along with fellow performance artist Zhang Huan, Ma Liuming is widely considered one of China’s most innovative artists. He took up performance art after the 1989 Tiananmen Square protests in Beijing, but was not able to show his work publicly until many years later. By the late 1990s, he had attracted international attention and begun showing abroad. Born in 1969, Liuming grew up in a China increasingly open to the rest of the world; in 1993, he had a formative studio visit with British artists Gilbert & George, who were in Beijing for an exhibition. Androgynous and confrontational, Liuming is now best known for his radical performances as the lipsticked female alter ego, Fen. For example, in “Fen Ma Liuming in Lyon (France),” first performed in 2001, he drugs himself with sleeping pills and sits virtually motionless, while the audience is invited onstage. Audience activity varies from location to location, but usually at least a few take their own clothing off and join him. With an essay by writer and curator Eleonora Battiston, who specializes in Chinese contemporary art, this volume is a rare contextualization of Luiming’s daring oeuvre.
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