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| |   |   | Olivo BarbieriImages 1978-2014Text by Francesca Fabiani.
Where pictures stop being photography and become images. Olivo Barbieri has been working to represent space, especially urban space, since the 1970s. Various series of images document his research in this book. They include Viaggio in Italia, from the 1980s, a project directed by Luigi Ghirri; China (Far East), which looks at the big changes on the Asian continent; and Site Specific, a sequence of shots taken from a helicopter flying above the world's major cities, which made him internationally renowned. The book retraces Barbieri's themes and exploration, underscoring his constant attention to the idea of perception and his ability to envision and interpret reality. He casts quite some doubt over the conventional modes of representation through photography.
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| | | |  | SILVANA EDITORIALEISBN: 9788836646814 USD $35.00 | CAN $49Pub Date: 4/20/2021 Active | In stock
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|  | MARSILIO EDITORIISBN: 9788831721929 USD $38.50 | CAN $55 UK £ 34.5Pub Date: 9/13/2016 Active | In stock
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FORMAT: Hbk, 9.8 x 7.8 in. / 216 pgs / 150 color. LIST PRICE: U.S. $38.50 LIST PRICE: CANADA $55 GBP £34.50 ISBN: 9788831721929 PUBLISHER: Marsilio Editori AVAILABLE: 9/13/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD | D.A.P. CATALOG: lisher Backlist 0000 | PRESS INQUIRIES
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| Olivo Barbieri Images 1978-2014 Published by Marsilio Editori. Text by Francesca Fabiani. Where pictures stop being photography and become images. Olivo Barbieri has been working to represent space, especially urban space, since the 1970s. Various series of images document his research in this book. They include Viaggio in Italia, from the 1980s, a project directed by Luigi Ghirri; China (Far East), which looks at the big changes on the Asian continent; and Site Specific, a sequence of shots taken from a helicopter flying above the world's major cities, which made him internationally renowned. The book retraces Barbieri's themes and exploration, underscoring his constant attention to the idea of perception and his ability to envision and interpret reality. He casts quite some doubt over the conventional modes of representation through photography.
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