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| |   |   | Álvaro Siza: Museu Serralves PortoMuseum Building GuidesPreface by João Fernandes. Photo-essay by Duccio Malagamba.
Portuguese architect Álvaro Siza (born 1933) is one of the most influential architects of the past half-century. His most famous work is perhaps the Serralves Museum in his hometown of Porto, his second museum building, following the Galician Center for Contemporary Art, erected in 1997. Low built and horizontal in axis, its white stucco walls are perforated with occasional openings that yield unexpected views of a surrounding garden. As with most of Siza's buildings, the furniture and fittings were also designed by the architect, including lighting fixtures, handrails, doorknobs and all signage. Building materials include hardwood floors and painted walls in gesso with marble skirting in the exhibition halls and marble floors in the foyers. This volume, published in Poligrafa's innovative Museum Building series, reviews the Serralves Museum, a disarmingly intimate space in pronounced contradistinction to much recent museum architecture.
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FORMAT: Pbk, 5.5 x 8.5 in. / 80 pgs / 42 color. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 ISBN: 9788434312838 PUBLISHER: Ediciones Polígrafa AVAILABLE: 9/30/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA Japan | D.A.P. CATALOG: FALL 2011 Page 116 | PRESS INQUIRIES
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| Álvaro Siza: Museu Serralves Porto Museum Building Guides Published by Ediciones Polígrafa. Preface by João Fernandes. Photo-essay by Duccio Malagamba. Portuguese architect Álvaro Siza (born 1933) is one of the most influential architects of the past half-century. His most famous work is perhaps the Serralves Museum in his hometown of Porto, his second museum building, following the Galician Center for Contemporary Art, erected in 1997. Low built and horizontal in axis, its white stucco walls are perforated with occasional openings that yield unexpected views of a surrounding garden. As with most of Siza's buildings, the furniture and fittings were also designed by the architect, including lighting fixtures, handrails, doorknobs and all signage. Building materials include hardwood floors and painted walls in gesso with marble skirting in the exhibition halls and marble floors in the foyers. This volume, published in Poligrafa's innovative Museum Building series, reviews the Serralves Museum, a disarmingly intimate space in pronounced contradistinction to much recent museum architecture.
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