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| | | | Soto: The Fourth DimensionText by Manuel Cirauqui, Mónica Amor, Jean Clay.
A generous introduction to the kinetic and op art pioneer’s finest worksOver a career spanning more than five decades, Venezuelan artist Soto (1923–2005) played a fundamental role in the evolution of op and kinetic art, and postwar Latin American abstraction.
Breaking away in the 1950s from the conventional separation of painting and sculpture, his practice moved progressively beyond the visual field to become emblematic of the radical shift undergone by the art object in subsequent years. Transcending the optical research of his early work, he formed part of the first group of kinetic artists in Paris together with Jean Tinguely, Iacov Agam and Victor Vasarely.
Soto: The Fourth Dimension offers a comprehensive overview of the artist’s influential work, from his early abstractions to his Penetrables, as well as his striking murals for the UNESCO headquarters in Paris.
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| | | |  | HAUSER & WIRTH PUBLISHERSISBN: 9783906915425
USD $40.00 | CAN $55Pub Date: 7/23/2019
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|  | LA FáBRICAISBN: 9788417769185
USD $50.00 | CAN $69.95Pub Date: 1/21/2020
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|  | FUNDACIóN CISNEROS/COLECCIóN PATRICIA PHELPS DE CISNEROSISBN: 9780982354469
USD $25.00 | CAN $34.5 UK £ 22Pub Date: 2/29/2012
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FORMAT: Hbk, 8 x 9.5 in. / 176 pgs / 65 color / 25 b&w.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $69.95
ISBN: 9788417769185
PUBLISHER: La Fábrica
AVAILABLE: 1/21/2020
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2020 Page 136 | PRESS INQUIRIES
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| Soto: The Fourth Dimension Published by La Fábrica.
Text by Manuel Cirauqui, Mónica Amor, Jean Clay. A generous introduction to the kinetic and op art pioneer’s finest works Over a career spanning more than five decades, Venezuelan artist Soto (1923–2005) played a fundamental role in the evolution of op and kinetic art, and postwar Latin American abstraction.
Breaking away in the 1950s from the conventional separation of painting and sculpture, his practice moved progressively beyond the visual field to become emblematic of the radical shift undergone by the art object in subsequent years. Transcending the optical research of his early work, he formed part of the first group of kinetic artists in Paris together with Jean Tinguely, Iacov Agam and Victor Vasarely.
Soto: The Fourth Dimension offers a comprehensive overview of the artist’s influential work, from his early abstractions to his Penetrables, as well as his striking murals for the UNESCO headquarters in Paris.
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