Text by Christian Höller, Ivana Milos, Ruth Schib, Klaus Speidel.
Combining the physical and digital into "phygital," Larcher's computer-powered still lifes, films and photomontages focus on the consequences of artificial intelligence
The term "hallucinations" is used in AI research to describe the tendency of algorithms to misinterpret data or generate fictitious content. These phenomena are reflected in the works of Austrian artist Claudia Larcher (born 1979), offering a reflection on the possibilities and limits of digital technology in the visual arts.
STATUS: Forthcoming | 9/30/2025
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FORMAT: Pbk, 7 x 9.75 in. / 136 pgs / 75 color / 71 b&w. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $42 ISBN: 9783991531388 PUBLISHER: Verlag für moderne Kunst AVAILABLE: 9/30/2025 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by Verlag für moderne Kunst. Text by Christian Höller, Ivana Milos, Ruth Schib, Klaus Speidel.
Combining the physical and digital into "phygital," Larcher's computer-powered still lifes, films and photomontages focus on the consequences of artificial intelligence
The term "hallucinations" is used in AI research to describe the tendency of algorithms to misinterpret data or generate fictitious content. These phenomena are reflected in the works of Austrian artist Claudia Larcher (born 1979), offering a reflection on the possibilities and limits of digital technology in the visual arts.
