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Slip, clth, 2 vols, 8 x 10.5 in. / 440 pgs / 350 color. PUBLISHING STATUS
Pub Date 12/15/2020
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D.A.P. Exclusive
Catalog: SPRING 2020 p. 139 PRODUCT DETAILS
ISBN 9783960987147 SDNR30
List Price: $250.00 CDN $350.00 AVAILABILITY
In stock | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
| | | William Kentridge: Why Should I HesitatePutting Drawings to WorkText by David Freedberg, Karel Nel.
A collectible, slipcased, two-volume overview on the South African artist William Kentridge, featuring a unique lapis lazuli print Covering 40 years of South African artist William Kentridge's (born 1955) internationally acclaimed production in drawing, stop-frame animation, video, prints, sculpture, tapestry and large-scale installation, Why Should I Hesitate stands as a definitive statement on his vast oeuvre. This deluxe production, published in an edition of 1,800 copies, is comprised of two slipcased volumes with a unique print in lapis lazuli, each copy stamped and numbered.
The title references Kentridge’s primary practice of drawing and how this core activity informs and enables his studio practice. It also references the impact of individual action on history and the reverse—how history shapes the contemporary and the future—and serves as a commentary on various shifting hegemonies of power politics, economies, language and the authority to narrate history.
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| | | |  | Edited by Anne McIlleron. Text by William Kentridge.WALTHER KöNIG, KöLNISBN: 9783960988656
USD $89.95 | CAN $125.93Pub Date: 3/16/2021
Forthcoming
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|  | Edited with text by Sébastien Delot, Josef Helfenstein. Text by Eva Falge, Ute Holl, William Kentridge, Leora Maltz-Leca.WALTHER KöNIG, KöLNISBN: 9783960986256
USD $55.00 | CAN $75Pub Date: 10/8/2019
Active | In stock
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|  | Text by David Freedberg, Karel Nel.WALTHER KöNIG, KöLNISBN: 9783960987147
USD $250.00 | CAN $350Pub Date: 12/15/2020
Active | In stock
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|  | Edited with text by Vinzenz Brinkmann, Kristin Schrader. Text by Michaela Ott, Oliver Primavesi.KERBERISBN: 9783735604491
USD $65.00 | CAN $87Pub Date: 8/28/2018
Active | In stock
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|  | Edited with an introduction by Carlos Basualdo. Foreword by Federica Galloni. Text by Gabriele Guercio, Salvatore Settis.WALTHER KöNIG, KöLNISBN: 9783960981817
USD $50.00 | CAN $67.5Pub Date: 6/19/2018
Active | In stock
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|  | Edited with text by Iwona Blazwick. Text by Homi Bhabha, Sabine Breitwieser, Michael Juul Holm, Joseph Koerner, Denise Wendel.WHITECHAPEL GALLERYISBN: 9780854882502
USD $35.00 | CAN $47.5Pub Date: 11/22/2016
Active | Out of stock
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|  | WALTHER KöNIG, KöLNISBN: 9783863359508
USD $29.95 | CAN $39.95Pub Date: 9/27/2016
Active | In stock
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|  | UCCA/KOENIG BOOKS/MARTA AND COSENTINOISBN: 9780996215602
USD $30.00 | CAN $40Pub Date: 3/28/2017
Active | In stock
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|  | Introduction by William Kentridge. Text by Peter Galison, William Kentridge, Catherine Meyburgh, Philip Miller.EDITIONS XAVIER BARRALISBN: 9782365110075
USD $125.00 | CAN $170Pub Date: 2/28/2013
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FORMAT: Slip, clth, 2 vols, 8 x 10.5 in. / 440 pgs / 350 color.
LIST PRICE: U.S. $250.00
LIST PRICE: CANADA $350
ISBN: 9783960987147
PUBLISHER: Walther König, Köln
AVAILABLE: 12/15/2020
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| William Kentridge: Why Should I Hesitate
Putting Drawings to Work A collectible, slipcased, two-volume overview on the South African artist William Kentridge, featuring a unique lapis lazuli print Published by Walther König, Köln.
Text by David Freedberg, Karel Nel. | Covering 40 years of South African artist William Kentridge's (born 1955) internationally acclaimed production in drawing, stop-frame animation, video, prints, sculpture, tapestry and large-scale installation, Why Should I Hesitate stands as a definitive statement on his vast oeuvre. This deluxe production, published in an edition of 1,800 copies, is comprised of two slipcased volumes with a unique print in lapis lazuli, each copy stamped and numbered.
The title references Kentridge’s primary practice of drawing and how this core activity informs and enables his studio practice. It also references the impact of individual action on history and the reverse—how history shapes the contemporary and the future—and serves as a commentary on various shifting hegemonies of power politics, economies, language and the authority to narrate history.
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