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| | BOOK FORMAT
Slip, clth, 9.5 x 12 in. / 688 pgs / 781 color. PUBLISHING STATUS
Pub Date 3/14/2023
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Catalog: SPRING 2023 p. 102 PRODUCT DETAILS
ISBN 9783969991435 SDNR40
List Price: $295.00 CDN $413.00 AVAILABILITY
In stock | TERRITORY
NA ONLY | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | William Kentridge: Catalogue Raisonné Volume 1Prints and Posters 1974–1990Edited with text by Warren Siebrits.
 The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and moreWilliam Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three years, South African scholar Warren Siebrits began compiling a five-volume catalogue raisonné of Kentridge’s prints and posters. In this first volume, focusing on graphics produced between 1974 and 1990, Siebrits presents the artist’s earliest forays into linocut, etching and monotype printing, to name but a few. While for many artists printmaking is informed by their work in what have historically been considered more valuable mediums such as painting and drawing, Siebrits emphasizes that Kentridge’s process has been quite the opposite. This intensive look at Kentridge first and foremost as a printmaker is thus crucial for a comprehensive understanding of his diverse and influential oeuvre. The chronology of the prints and posters helps reestablish many lost and obscure tributaries that will prove invaluable for following Kentridge’s trajectory.
PRAISE AND REVIEWSNew York Review of Books Susan Tallman An impressive archival feat. New York Review of Books Susan Tallman An impressive archival feat. |
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| | | |  | SteidlISBN: 9783969992449
USD $40.00 | CAN $58Pub Date: 9/3/2024
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|  | SteidlISBN: 9783969991435
USD $295.00 | CAN $413Pub Date: 3/14/2023
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|  | DelMonico Books/The BroadISBN: 9781636810669
USD $65.00 | CAN $89 UK £ 55Pub Date: 12/20/2022
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|  | Royal Academy of ArtsISBN: 9781912520732
USD $45.00 | CAN $63Pub Date: 11/22/2022
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|  | SteidlISBN: 9783969990421
USD $58.00 | CAN $80Pub Date: 3/15/2022
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|  | Walther König, KölnISBN: 9783960986256
USD $55.00 | CAN $75Pub Date: 10/8/2019
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|  | Walther König, KölnISBN: 9783960987147
USD $250.00 | CAN $350Pub Date: 12/15/2020
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|  | KerberISBN: 9783735604491
USD $65.00 | CAN $87Pub Date: 8/28/2018
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|  | Walther König, KölnISBN: 9783960981817
USD $50.00 | CAN $67.5Pub Date: 6/19/2018
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|  | Walther König, KölnISBN: 9783863359508
USD $29.95 | CAN $39.95Pub Date: 9/27/2016
Active | Out of stock
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|  | UCCA/Koenig Books/Marta and CosentinoISBN: 9780996215602
USD $30.00 | CAN $40Pub Date: 3/28/2017
Active | In stock
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|  | Editions Xavier BarralISBN: 9782365110075
USD $125.00 | CAN $170Pub Date: 2/28/2013
Active | Out of stock
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FORMAT: Slip, clth, 9.5 x 12 in. / 688 pgs / 781 color.
LIST PRICE: U.S. $295.00
LIST PRICE: CANADA $413
ISBN: 9783969991435
PUBLISHER: Steidl
AVAILABLE: 3/14/2023
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2023 Page 102 | PRESS INQUIRIES
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| William Kentridge: Catalogue Raisonné Volume 1
Prints and Posters 1974–1990 Published by Steidl.
Edited with text by Warren Siebrits. The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three years, South African scholar Warren Siebrits began compiling a five-volume catalogue raisonné of Kentridge’s prints and posters. In this first volume, focusing on graphics produced between 1974 and 1990, Siebrits presents the artist’s earliest forays into linocut, etching and monotype printing, to name but a few. While for many artists printmaking is informed by their work in what have historically been considered more valuable mediums such as painting and drawing, Siebrits emphasizes that Kentridge’s process has been quite the opposite. This intensive look at Kentridge first and foremost as a printmaker is thus crucial for a comprehensive understanding of his diverse and influential oeuvre. The chronology of the prints and posters helps reestablish many lost and obscure tributaries that will prove invaluable for following Kentridge’s trajectory.
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