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| | | | Natascha Sadr Haghighian: TrailEdited by Jasper Kettner, Pola Sieverding.
Trail harks back to a path that Natascha Sadr Haghighian laid out at the Auehang in Kassel in 2012 as part of dOCUMENTA (13). The trail was located next to a memorial to the fallen German soldiers of the two World Wars and accompanied by onomatopoeic sounds. In the process of laying out the path, Haghighian discovered that the entire slope consisted of rubble from the Second World War. In the book she follows the 'trail' of this debris together with Pola Sieverding and Jasper Kettner and ends up with the Kassel-based armaments industry, with stories of migration and forced labour, with military vehicles named after animals, and with flowers that only grow in rubble. Via an exchange of letters with Anselm Franke, Avery Gordon, Ay?e Guelec, and a number of other correspondents, the findings are linked and examined together, revealing a view of historical continuities, loops, and ruptures, resembling the layering of the debris itself.
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FORMAT: Pbk, 6.75 x 9.25 in. / 256 pgs / 149 color / 63 b&w.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $47.5
ISBN: 9783959050135
PUBLISHER: Spector Books/documenta archiv
AVAILABLE: 2/1/2015
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Natascha Sadr Haghighian: Trail Published by Spector Books/documenta archiv.
Edited by Jasper Kettner, Pola Sieverding. Trail harks back to a path that Natascha Sadr Haghighian laid out at the Auehang in Kassel in 2012 as part of dOCUMENTA (13). The trail was located next to a memorial to the fallen German soldiers of the two World Wars and accompanied by onomatopoeic sounds. In the process of laying out the path, Haghighian discovered that the entire slope consisted of rubble from the Second World War. In the book she follows the 'trail' of this debris together with Pola Sieverding and Jasper Kettner and ends up with the Kassel-based armaments industry, with stories of migration and forced labour, with military vehicles named after animals, and with flowers that only grow in rubble. Via an exchange of letters with Anselm Franke, Avery Gordon, Ay?e Guelec, and a number of other correspondents, the findings are linked and examined together, revealing a view of historical continuities, loops, and ruptures, resembling the layering of the debris itself.
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