Featuring nearly 90 paintings and drawings from Philip Guston’s (1913–1980) Abstract Expressionist period, this book explores a decade in which the artist confronted aesthetic concerns of the New York School, questioning modes of image making and what it means to paint abstractly. In the number and quality of paintings from this period, the book parallels Guston’s important 1966 survey exhibition held at the Jewish Museum in New York, a half century ago. As its title suggests, this volume offers an intimate look at Guston’s unique relationship to painting and the process by which his work evolved. The publication also includes an expanded chronology on the artist, which includes archival material, historic installation views, plus conversations with Guston and texts by him. Philip Guston: Painter concludes with a section of 50 of Guston’s “pure” drawings from the late ‘60s.
in stock $45.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
 
Distributed by D.A.P.
FORMAT: Hbk, 9.25 x 11.25 in. / 119 pgs / 93 color / 20 b&w. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9783952446126 PUBLISHER: Hauser & Wirth Publishers AVAILABLE: 4/26/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Featuring nearly 90 paintings and drawings from Philip Guston’s (1913–1980) Abstract Expressionist period, this book explores a decade in which the artist confronted aesthetic concerns of the New York School, questioning modes of image making and what it means to paint abstractly. In the number and quality of paintings from this period, the book parallels Guston’s important 1966 survey exhibition held at the Jewish Museum in New York, a half century ago. As its title suggests, this volume offers an intimate look at Guston’s unique relationship to painting and the process by which his work evolved. The publication also includes an expanded chronology on the artist, which includes archival material, historic installation views, plus conversations with Guston and texts by him. Philip Guston: Painter concludes with a section of 50 of Guston’s “pure” drawings from the late ‘60s.