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| | | | BRINKMANN & BOSEUnica Zürn: AlbenEdited by Erich Brinkmann. Epilogue by Rike Felka.
The German artist and writer Unica Zürn (1916-1970) joined the ranks of Surrealism in the 1950s, after moving to Paris and taking up residence with the German-born Surrealist Hans Bellmer. Drawn to the movement's espousal of automatic drawing and writing, Zürn pursued Henri Michaux's declaration that "the hand dreams," making a vocation of these techniques with drawings and paintings that are labyrinthine in detail, as one form sprouts out of another. Zürn has left us an account of the sensation of automatic drawing: "After an initial moment when the pen 'swims' hesitantly on the paper, she discovers the place assigned to the first eye. It is only when she is being watched from the depths of the paper that she begins to get her bearings and, effortlessly, one motif is added to another." This lovely limited-edition survey reproduces drawings done between 1954 and 1967.
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FORMAT: Hbk, 8.75 x 11.5 in. / 336 pgs / 300 color / Edition of 800 copies.
LIST PRICE: U.S. $195.00
LIST PRICE: CANADA $240
ISBN: 9783940048066
PUBLISHER: Brinkmann & Bose
AVAILABLE: 6/30/2010
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: *not available | D.A.P. CATALOG: SPRING 2010 Page 116 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Unica Zürn: Alben Published by Brinkmann & Bose.
Edited by Erich Brinkmann. Epilogue by Rike Felka. The German artist and writer Unica Zürn (1916-1970) joined the ranks of Surrealism in the 1950s, after moving to Paris and taking up residence with the German-born Surrealist Hans Bellmer. Drawn to the movement's espousal of automatic drawing and writing, Zürn pursued Henri Michaux's declaration that "the hand dreams," making a vocation of these techniques with drawings and paintings that are labyrinthine in detail, as one form sprouts out of another. Zürn has left us an account of the sensation of automatic drawing: "After an initial moment when the pen 'swims' hesitantly on the paper, she discovers the place assigned to the first eye. It is only when she is being watched from the depths of the paper that she begins to get her bearings and, effortlessly, one motif is added to another." This lovely limited-edition survey reproduces drawings done between 1954 and 1967.
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