Flurina Rothenberger: I Love To Dress Like I Am Coming From Somewhere And I Have A Place To Go
This book is a small window onto a large world. It shows everyday life in the most varied corners of the African continent, one that does not exist in the coverage provided by Western media. There is nothing spectacular or sensational about this everyday life, but it is always there. It is colorful and also banal, sometimes even contradictory, but it is always precious and genuine. In I love to dress like I am coming from somewhere and I have a place to go, Swiss photographer Flurina Rothenberger shows us a reality far from the usual stereotypes and cliches. Local and immediate, this project was made over the last ten years during the course of both personal and professional trips. Having grown up in West Africa, the artist is well aware of the ambiguities, mores, and specters of this vast continent and its 54 countries. In her sober portrayals of everyday life, whether she is quoting writers, activists, musicians, or economists, she provides an urgently needed contribution to how we view Africa–but not explicitly, and instead subtly. Because the African continent is itself subtle, hard to penetrate, and decidedly complex.
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FORMAT: Pbk, 5.5 x 7 in. / 264 pgs / 253 color. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $55 ISBN: 9783905929737 PUBLISHER: Edition Patrick Frey AVAILABLE: 7/1/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA AFR ME
Flurina Rothenberger: I Love To Dress Like I Am Coming From Somewhere And I Have A Place To Go
Published by Edition Patrick Frey.
This book is a small window onto a large world. It shows everyday life in the most varied corners of the African continent, one that does not exist in the coverage provided by Western media. There is nothing spectacular or sensational about this everyday life, but it is always there. It is colorful and also banal, sometimes even contradictory, but it is always precious and genuine. In I love to dress like I am coming from somewhere and I have a place to go, Swiss photographer Flurina Rothenberger shows us a reality far from the usual stereotypes and cliches. Local and immediate, this project was made over the last ten years during the course of both personal and professional trips. Having grown up in West Africa, the artist is well aware of the ambiguities, mores, and specters of this vast continent and its 54 countries. In her sober portrayals of everyday life, whether she is quoting writers, activists, musicians, or economists, she provides an urgently needed contribution to how we view Africa–but not explicitly, and instead subtly. Because the African continent is itself subtle, hard to penetrate, and decidedly complex.
