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| |   |   | NIEVESMark Gonzales: Instead of Eros AvengedText by Christopher Churchill.
Artist, writer and skateboarder Mark Gonzales (born 1968) is always in motion and his work is a real-time product of that unceasing movement. His visual output ranges from drawings and paintings to dolls and in this case, photographs taken with that contemporary equivalent of the Kodak Brownie, the cell phone. This collection of Gonzales' cell-phone pictures takes Jerry Chadwick's poem “Instead of Eros Avenged” as its starting point: “Started to type / the first chapter / where green eyes / press into / grey eyes / like ivy on granite / and remembered / Lorca shot in Spain / Richard Heakin beaten / to death outside / a tuscon gay bar / and decided / NO / there have been / enough deaths / already.” The photographs depict a life of joyful and chaotic spontaneity, showing Gonzales posing with fans, hanging out with family and friends and performing wallrides.
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FORMAT: Pbk, 6.25 x 8 in. / 300 pgs / 300 color. LIST PRICE: U.S. $38.00 LIST PRICE: CANADA $45 ISBN: 9783905714913 PUBLISHER: Nieves AVAILABLE: 9/30/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA ME | D.A.P. CATALOG: FALL 2011 Page 101 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Mark Gonzales: Instead of Eros Avenged Published by Nieves. Text by Christopher Churchill. Artist, writer and skateboarder Mark Gonzales (born 1968) is always in motion and his work is a real-time product of that unceasing movement. His visual output ranges from drawings and paintings to dolls and in this case, photographs taken with that contemporary equivalent of the Kodak Brownie, the cell phone. This collection of Gonzales' cell-phone pictures takes Jerry Chadwick's poem “Instead of Eros Avenged” as its starting point: “Started to type / the first chapter / where green eyes / press into / grey eyes / like ivy on granite / and remembered / Lorca shot in Spain / Richard Heakin beaten / to death outside / a tuscon gay bar / and decided / NO / there have been / enough deaths / already.” The photographs depict a life of joyful and chaotic spontaneity, showing Gonzales posing with fans, hanging out with family and friends and performing wallrides.
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