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Clth, 12 x 9.25 in. / 116 pgs / 42 color. PUBLISHING STATUS
Pub Date 4/30/2012
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Catalog: SPRING 2012 p. 168 PRODUCT DETAILS
ISBN 9783869842387 TRADE
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NA LA ASIA AU/NZ AFR ME | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Nathalie Grenzhaeuser: TrespassingEdited Nathalie Grenzhaeuser, Ursula Schöndeling. Text by Gabi Schaffner, Ludwig Seyfarth. Interview by Ursula Schöndeling.
Nathalie Grenzhaeuser’s most recent photographic series document the world’s most sparsely populated regions: the Australian outback and Spitzbergen in the Arctic. But Grenzhaeuser does not only document--she approaches her photography as landscape painting by other means, creating contradictory shadow effects and even adding dramatic clouds with digital photo-technology.
PRAISE AND REVIEWSThe Wall Street Journal The Editors Pyramiden—named for the massive peak looming above it—was one such Soviet-era settlement. Though it is now a ghost town, with predatory gulls sweeping its ice-blue skies, evidence of its former purpose is everywhere in ‘Trespassing’ (Moderne Kunst Nürnberg, 117 pages, $40), a study of desolate landscapes that bear the marks of human industry. German photographer Nathalie Grenzhaeuser carefully frames the ground and sky and mechanical constructions, fragmenting space. |
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FORMAT: Clth, 12 x 9.25 in. / 116 pgs / 42 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
ISBN: 9783869842387
PUBLISHER: Moderne Kunst Nürnberg
AVAILABLE: 4/30/2012
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2012 Page 168 | PRESS INQUIRIES
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| Nathalie Grenzhaeuser: Trespassing Published by Moderne Kunst Nürnberg.
Edited Nathalie Grenzhaeuser, Ursula Schöndeling. Text by Gabi Schaffner, Ludwig Seyfarth. Interview by Ursula Schöndeling. Nathalie Grenzhaeuser’s most recent photographic series document the world’s most sparsely populated regions: the Australian outback and Spitzbergen in the Arctic. But Grenzhaeuser does not only document--she approaches her photography as landscape painting by other means, creating contradictory shadow effects and even adding dramatic clouds with digital photo-technology.
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