| | BOOK FORMAT
Clth, 11 x 11.75 in. / 160 pgs / illustrated throughout. PUBLISHING STATUS
Pub Date 5/26/2015
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ISBN 9783869306902 TRADE
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| | | Andrew Savulich: The CityText by Brendan Bernhard.
 Social and cultural transition is often hard to gauge. New York in the 1980s and the first half of the 90s was clearly a different place than it is now: the city was more violent, the streets stranger, and Times Square still wonderfully sleazy. Andrew Savulich's (born 1959) subject is this perpetually changing metropolis, and his images are a unique mix of spot news and street photography, capturing crime scenes as well as everyday life. The startling immediacy of the moment prevails in his black-and-white images on which he provides handwritten captions. What at first seems like objective commentary soon reveals a dry ironic tone, at times bordering on black humor.
"Woman Laughing After Car Wreck" (1989) is reproduced from Andrew Savulich: The City.PRAISE AND REVIEWSNew York Magazine Christopher Bonanos When he makes prints for himself rather than for the paper, Savulich adds an extra dimension in the form of neatly lettered captions. They're deadpan and hilarious, leaving just enough unsaid to send your eye right back to the photos. Observer Ellie Schroeder Andrew Savulich's first photography book paints a unique portrait of the city's streets from 1980 to 1995.... both a tribute to tabloid photography in its heyday and the wildness of 1980s New York City. |
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| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 5/20/2015 "Man falls between subway cars," "People watching jumper on hotel roof," "Woman with cat escaping 4 alarm fire" and "Youth shot in subway for dissing – staring too long" are just a few of the captions to New York Daily News staff photographer Andrew Savulich's Times Square photographs from the 1980s and 90s. His new book, Andrew Savulich: The City, printed in glorious tritone by the brilliant artist-technicians at Steidl, is certainly the most beautifully produced crime photography book of recent memory, as well as a critic's pick at The New York Times. Essayist Brendan Bernhard writes, "For over fifteen years, Andrew Savulich parked his battered '67 Dodge Coronet on the edge of New York's Times Square, waiting for something to happen—preferably something disastrous. As anyone familiar with his work can tell you, he has not waited in vain. A street photographer, Savuich is also a practitioner of what is known in the trade as 'spot news'—capturing the daily dose of real-life madness, murder, mayhem and sheer weirdness that sells newspapers and fuels a growing number of tabloid television shows." Featured photograph, taken in 1984, is captioned: "Citizens' arrest of alleged pickpocket." continue to blog | FORTHCOMING AND RECENT PHOTOGRAPHY BOOKS |  | Edited by Susan Bell. Text by Mitch Epstein.STEIDLISBN: 9783958299016
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|  | Text by Edward Burtynsky.STEIDLISBN: 9783958298699
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|  | Text by Joel Meyerowitz, Maggie Barrett.DAMIANIISBN: 9788862087308
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|  | Edited with text by Anthony Bannon. Foreword by Ed Sanders.STEIDLISBN: 9783958299092
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|  | Text by Nathalie Herschdorfer.STEIDLISBN: 9783958298927
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|  | Text by Carlos Gollonet, Nicholas Nixon, Jeffrey Fraenkel, Maria Friedlander, Giancarlo T. Roma.RM/FUNDACIóN MAPFREISBN: 9788417975449
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|  | Edited by Jordan Alves. Introduction by Amos Gitai. Text by Frank Horvat.HATJE CANTZISBN: 9783775748490
USD $44.00 | CAN $61Pub Date: 1/5/2021
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FORMAT: Clth, 11 x 11.75 in. / 160 pgs / illustrated throughout.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
ISBN: 9783869306902
PUBLISHER: Steidl
AVAILABLE: 5/26/2015
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| Andrew Savulich: The City Published by Steidl.
Text by Brendan Bernhard. | Social and cultural transition is often hard to gauge. New York in the 1980s and the first half of the 90s was clearly a different place than it is now: the city was more violent, the streets stranger, and Times Square still wonderfully sleazy. Andrew Savulich's (born 1959) subject is this perpetually changing metropolis, and his images are a unique mix of spot news and street photography, capturing crime scenes as well as everyday life. The startling immediacy of the moment prevails in his black-and-white images on which he provides handwritten captions. What at first seems like objective commentary soon reveals a dry ironic tone, at times bordering on black humor.
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