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Slip, hbk, 2 vols, 16.5 x 12.5 in. / 224 pgs / 48 pg booklet, ill throughout. PUBLISHING STATUS
Pub Date 2/15/2014
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ISBN 9783869306483 TRADE
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| | | Luke Powell: Afghan Gold
While travelling overland to India from Europe in the fall of 1971, Luke Powell ran into the war between India and Pakistan, and he spent the following winter in neighboring Afghanistan. Powell was stunned by the beauty of the country, the state of preservation of the culture, and by the Afghans' ability to be totally self-sustaining. He returned nearly every year until 1978, when he left the country three days before a Communist coup. Powell's ability to transform raw 35 mm film into refined printed images grew over a 15-year period, when he printed his work with the legendary Dye Transfer Process. The Afghan Folio exhibition travelled to over 120 museums and galleries in North America and Europe, during the years when the Russians were occupying Kabul. In early 2000 the Taliban government invited Luke Powell to come back to Afghanistan, and later that year the Northern Alliance allowed him to travel alone in areas under their control. Through 2003 Powell took photographs for the United Nations Demining Program for Afghanistan and other UN agencies. In Afghan Gold Luke Powell has tried to separate art from journalism and show only the beautiful, traditional side of Afghanistan. In the text, published in a separate volume, Powell acts as a spokesman for an essentially peace-loving people who have been at war for the last three decades, placing the images in an unusually broad historical context.
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FORMAT: Slip, hbk, 2 vols, 16.5 x 12.5 in. / 224 pgs / 48 pg booklet, ill throughout.
LIST PRICE: U.S. $165.00
LIST PRICE: CANADA $225
ISBN: 9783869306483
PUBLISHER: Steidl
AVAILABLE: 2/15/2014
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| Luke Powell: Afghan Gold Published by Steidl. | While travelling overland to India from Europe in the fall of 1971, Luke Powell ran into the war between India and Pakistan, and he spent the following winter in neighboring Afghanistan. Powell was stunned by the beauty of the country, the state of preservation of the culture, and by the Afghans' ability to be totally self-sustaining. He returned nearly every year until 1978, when he left the country three days before a Communist coup. Powell's ability to transform raw 35 mm film into refined printed images grew over a 15-year period, when he printed his work with the legendary Dye Transfer Process. The Afghan Folio exhibition travelled to over 120 museums and galleries in North America and Europe, during the years when the Russians were occupying Kabul. In early 2000 the Taliban government invited Luke Powell to come back to Afghanistan, and later that year the Northern Alliance allowed him to travel alone in areas under their control. Through 2003 Powell took photographs for the United Nations Demining Program for Afghanistan and other UN agencies. In Afghan Gold Luke Powell has tried to separate art from journalism and show only the beautiful, traditional side of Afghanistan. In the text, published in a separate volume, Powell acts as a spokesman for an essentially peace-loving people who have been at war for the last three decades, placing the images in an unusually broad historical context.
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